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Monday, 24 June 2013

I'm Grateful for My Internships in Film

Posted on 11:00 by clark
Right now, there are a slew of interns suing their former workplaces for pay as reported by The Wrap here. I don't know their specific circumstances so I can't comment on whether it is right or wrong for them to be suing. I'll let the courts decide that. But I will say that internships started my career in film and I'm very grateful for them.

When I decided to dip my toe into the world of filmmaking, I had no idea how to really get a strong look behind the film industry's mysterious curtain. Sure, I could have tried to find a paid gig. But, I knew that the industry was incredibly competitive - I needed a step up over other candidates. I had no experience at all - who would hire me? I wanted a fast entry into the world of film. I didn't want to wait around for the elusive paid gig.

And since I wasn't sure if film would be right for me, I didn't want a full time job yet either. Also, I wasn't sure what area of film I wanted to work in. So really, an internship was the best solution for me as I wanted the flexibilities it would afford me - flexible hours and the freedom to watch others working so I could decide if I wanted to do what they do full time.

I loved both of my internships. I worked on a feature-film production in the production office and in post production on two different films. Yes, I worked my ass off and I got people's lunches and I did real work that mattered. And I was so happy for it.

I wanted to be relevant and matter to the productions I worked on. I take pride in my work and look at every experience (paid, free, deferred) as an opportunity to grow. I absolutely believe that if you work hard, you will be rewarded. Sure, I would loved to have been paid for the work I did as an intern, but I was gaining in many other ways that to this day have provided me with so much more "payment" than my work would have even been worth in salary.

I met people in my internships who to this day, hire me, refer jobs to me, offer advice and a shoulder to lean on.

In both internships, I was gaining from the experience of working with seasoned veterans. I was meeting people who would go on to introduce me to my first paid gigs in the industry. I was given the opportunity to pick the brains of established film veterans and get a sense of what I wanted to do in film. This kind of brain picking is expected from interns and I was given access to learn - I believe even more so than if I were being paid.

Working for free also allows you to build your network. Your network will be your number one resource for future jobs. I can honestly say that most of the jobs I have gained in my life have been through referrals from those with whom I worked in the past.

Without internships, I guarantee that it would be much harder to gain entry into the film industry. People like me, who weren't in school and couldn't intern for school credit, would likely be locked out of any great internships - as many already are. As it is, the studios typically only allow students who get class credit to intern.

To this day, I still work free and deferred if it's a project or for a person I believe in. And I know that work will have its "pay day," in some form or another. I look at internships as no different than going to school - and with an internship, you aren't paying for the experience like you are paying a school to teach you. It's also no different than building your portfolio in order to find paid jobs doing what you love. And building a portfolio is hard work!

My point is that internships do have value, above and beyond the salary. I hope we don't lose sight of that. My career is proof positive of it. I know I would not be the film producer I am today without them.

Here are some tips from HelloGiggles (Web site cofounded by Zooey Deschanel) for How to Be the Perfect Intern. And honestly, these lessons are true for all the work you do - paid or not.
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Posted in Internships | No comments

Thursday, 20 June 2013

Watch Our New "Hi. It's Taryn." Episode and Learn How to Create the Perfect Red Lip

Posted on 13:32 by clark
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Posted in Hi. It's Taryn., So Natural TV, Web Series, YouTube | No comments

Friday, 14 June 2013

Ethan Hawke and His Current Indie Success

Posted on 10:03 by clark
Image Credit: Daniel Mcfadden; Despina Spyrou
Check out this interview with Ethan Hawke: "Ethan Hawke talks about his surprise No. 1 movie, 'The Purge'". He discusses his current success with two indie films: The Purge and Before Midnight.

Both films are enjoying major box office success for indie films. Congrats to all involved!

And for Hawke, one is his best opening (The Purge) and the other is his best critical success of his career (Before Midnight). How lovely to have both happening at once! I'm really looking forward to see them - though The Purge will probably give me nightmares...

In this article, Hawke shows a real respect and love for the indie film process. I have always been a fan of Ethan Hawke and I love him even more now. Ethan, when can we work together?

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Posted in Before Midnight, Ethan Hawke, The Purge | No comments

Thursday, 13 June 2013

Steven Spielberg and George Lucas: Welcome to My World

Posted on 15:18 by clark
What I learned yesterday is that George Lucas and Steven Spielberg are more like me than I realized. They can't get theatricals either (well, for certain titles - their more dramatic aka indie titles). If Spielberg and Lucas can't get their films in theaters, what hope is there for us? "Not much" was the sentiment of a panel I attended yesterday at USC, celebrating the opening of USC's new Interactive Media Building.

During this panel Spielberg and Lucas expounded on the current state of the film and video game industry. Here's a horrible iPhone pic of the panel - you might be able to see Spielberg in the middle and Lucas on the right:

Spielberg (middle) & Lucas (right)

What I found most amusing from this discussion was the obvious competitiveness between Spielberg and Lucas. At one point, Spielberg jabbed Lucas by saying people went to the theaters to see Lincoln - a film that almost didn't get a theatrical (Spielberg jested, it's true, ask HBO) - implying Lucas's recent independent fare wasn't doing as well. Lucas responded that he doesn't need to worry about box office performance as he's retired from that system. I think we all wish we had millions (prob billions) in our bank account and could bankroll our own films and retire from this system. Lotto anyone? Trust me, I play it (when I remember to).

It's absolutely maddening to try to figure out how to make successful films in today's Wild West of distribution options.

I think the scariest part of their predictions was the idea that movie theaters would become homes for only big blockbuster movies that cost hundreds of millions of dollars and demand $50 to $100 price tags to view them. And that all other kinds of films - our charming dramas and funny comedies and scary thrillers and horror flicks - would all be relegated to the digital world. Lucas believes this is the future for film and that everyone will have such amazing home theater systems that going to the movies will be like attending live theater.

How awful does that sound? The entire room and panel heaved a heavy sigh. I would hate not having affordable theaters where I can go into a huge space with lots of people and be riveted for 2 hours and get lost in story. And I love seeing all kinds of films on the big screen - not just the big popcorn movies. In fact, I find dramas incredibly moving on the big screen. I remember seeing Good Will Hunting on the big screen and walking out of the theater with such inspiration for my own future as a filmmaker.

Interestingly enough, Spielberg and Lucas both agreed that studios are only focusing on tentpole films now and that audiences are going to eventually tire of them. And when they do, the studios will be in crisis mode because they will have forgotten how to make the dramas and comedies and thrillers etc. That is when they believe the implosion will happen.

All this "sky is falling" talk sure was discouraging but it also told me that it's a great time for independent filmmakers - a sentiment the panel stressed. We're already used to not getting our films in the theater and having to scrap our way into existence. We have and continue to develop the tools for surviving and hopefully thriving in the digital space. Hopefully this means we have a chance at being competitive with the Spielberg and Lucas product in the digital realm. And thank God for film festivals - the indie version of a theatrical. Let's embrace our film festivals and use them as our theatricals and market the hell out of our films, using all the tools we can find - crowdsourcing, social media, etc etc.

As for the future in theatergoing, I can only hope the masses see the value in continuing to go to the theater to watch all kinds of films. So the next time you head out on date night, let's show the studios it's more than just to see the next BIG film. Why not buy a ticket to that indie drama or thriller you've been intrigued to see? We don't always have to wait until those films hit the digital world, right? We have the power to effect change and choose our future for our industry. Let's take control of our future instead of letting it control us.
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Posted in Digital Distribution, Future, George Lucas, Movie Theaters, Steven Spielberg, USC | No comments

Wednesday, 12 June 2013

I'm Making a New Movie: Ashland

Posted on 17:19 by clark
I wanted to announce here on my blog that I have taken on a new movie to produce. I love it when that happens!

It's called Ashland (check out the Web site for the film here) and the script was written and will be directed by the incredibly talented husband/wife team Kris and Lindy Boustedt of First Sight Productions. Kris and Lindy are Seattle-based filmmakers who are just as obsessed by making movies as I am - always a match made in heaven.

I was introduced to Kris and Lindy by the equally talented production designer Susannah Lowber - thanks Susannah! Susannah knew that Kris and Lindy were looking for a producer for Ashland and she thought we'd make a good fit. I love Susannah's work so when she suggested the project to me, I had a feeling I would love it. And I did.

Ashland is a modern-day Western about a city detective who uncovers her sister's involvement in a drug-smuggling operation back in their small hometown. Everything goes to shit of course and there's lots of violence and horse action - fun stuff for a filmmaker.

Check out this awesome Mood Reel that Lindy and Kris created:



Another exciting announcement to make about this project is that the beautiful and talented Natasha Henstridge is attached to play the tough-as-nails detective Josephine. We are currently casting the other roles and can't wait to announce the rest of the cast.

Natasha Henstridge

For some additional eye candy, here's a mock up of the poster created by Kris Boustedt:




Why this project? First, I love that the cast is helmed by female characters. Of course, there is a totally badass male drug dealer but there are about three amazingly badass women at the helm. And there's lots of violence and horses. I'm stepping out of my drama zone and into the fantastic world of action and having a blast (no pun intended).

Part of my excitement for taking on an action film stems from my recent production. About three months ago, I produced a short (Plain Clothes, written and directed by Sam Jaeger) that involved stunts. I had such a good time watching the stunt guys do their work that I resolved to do more action films. And Ashland fits that desire perfectly.

We are also seeking partial financing (hint hint investors) - another fun adventure. But it's all looking good and just happy to be working on such a great production with awesome people. Shooting begins this fall in Washington State. Good times.
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Posted in Ashland | No comments

Monday, 10 June 2013

To Defer or Not to Defer: The Real Scoop on Film Deferrals

Posted on 18:48 by clark

Film deferrals are a blessing to independent film. I couldn't make a film without a portion of my budget in deferrals (often my own salary - ugh). But, I am here to say that film deferrals are necessary and that, yes, they can get paid.

Many times, I hear people say, I have never received my film deferrals. They don't exist. Well, that may be true that they haven't received their past deferrals yet, but from my own personal experience as a producer who has offered film deferrals, I take them very seriously. Even if it takes years to pay them off, I have not forgotten about them and it's a very high priority for me to try to pay them. And yes, I have had deferrals paid to me in the past. So I know, firsthand, they can work.

Independent films take a village to make and we often don't have the cash resources to pay for everything we need. In those instances, I need some way of acknowledging a person's or vendor's contributions. Deferrals are a great way of doing this.

I can offer a fee that can be paid back upon the sale of the film and the crew member or vendor can decide if they are willing to take that chance. Not everyone will. And that's okay. Deferrals aren't for everyone. But there are a lot of people out there like me, who like to take chances on creative projects. I like to support the arts and new talent. And I think it's important to invest in the future of my industry. And who knows? That project may lead to more PAID gigs.

I am a believer in the idea of what goes around, comes around. So if I go out there and work deferred, I feel that act of kindness will come back around to me some day in a big way - whether in new projects or support from others. Sure, getting the deferral is the ultimate goal but there are many additional perks to enjoy along the way. It's about the journey, not just the end result.

That said, I want to be clear that I am not pushing people to consider film deferrals or investments. They're not for everyone. They aren't guaranteed and if that is going to haunt you, you're better off looking at other opportunities for yourself. But if you enjoy being part of the world of filmmaking and you think you'd be fine accepting a film deferral opportunity knowing you may never see those funds then what's holding you back?

Wondering how deferrals work? Basically, you make an offer of a fee for a service or a product that will be paid out in the future, usually upon the sale of the film. I highly recommend consulting with an entertainment attorney so he or she can give you the right language for the contract. In simple terms though, deferrals are just fees - oftentimes higher than normal since the person or vendor is taking a risk waiting for them - that are paid out in the future under the negotiated terms and timeframe.

I am a huge proponent of deferrals. Every indie filmmaker should have them in their arsenal for financing! Now go got 'em!
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Posted in Film Deferrals | No comments

Sunday, 9 June 2013

"Hi. It's Taryn" - Watch Taryn Rock a Hair Bow in Our New Video for So Natural TV

Posted on 23:55 by clark
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Posted in Episode 1, Hair Bow, Hi. It's Taryn. | No comments

Tuesday, 4 June 2013

Coming Soon to YouTube: "Hi. It's Taryn."

Posted on 13:09 by clark
My executive producing partner Leena Pendharkar and I have been diligently developing new shows for our YouTube channel So Natural TV. This channel is a compilation of funny sketch short films, web series (Honest Andy coming soon), and our upcoming new show on Fashion, Beauty and DIY, hosted by Taryn Horacek.

So please check out our new show "Hi. It's Taryn." This Thursday at 12 noon PST at the So Natural TV YouTube Channel here.

Enjoy some pics from set of Taryn rockin' the hair bow!







Thanks for watching! For all things So Natural, please become a subscriber on YouTube here. Cheers!
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Posted in 2013, Pilot Episode, Taryn Show | No comments

Monday, 3 June 2013

Going Global: Shooting in Hong Kong and Shanghai

Posted on 14:19 by clark
I'm working on a new documentary with director Leslie Iwerks and it brought us to Hong Kong and Shanghai last month.

I had never traveled to the East so I was excited to see these regions of the world. Hong Kong is a very vibrant, international city. The downtown area is like New York's Times Square with all the neon ads and throngs of people. The weather was probably the most challenging part of the shoot. It was very muggy and rainy. One second the sun would be out and the next second, it would be pouring rain and we would be running for shelter as we tried to keep our equipment dry.


Hong Kong Store


Harbor in Hong Kong

Temple in Hong Kong

Rain Clouds in Hong Kong

Hong Kong at Night

Shooting Broll in Hong Kong
Hong Kong at Night

Pad Thai in Hong Kong

Hong Kong Street Vendors

Hong Kong Street Vendors
Hong Kong Street

Berries from the U.S. in Hong Kong

Hong Kong Shop 


View of Hong Kong from Ferry
Me in Hong Kong

Hong Kong

Shooting Pics of Hong Kong

View from Restaurant

Hong Kong at Night

Hong Kong at Night
The best part of the Hong Kong adventure was working with the amazing team in Hong Kong. They were incredibly organized and supportive, which is important when you are flying thousands of miles to shoot and only have a small timeframe to get everything you need.

At the end of the shoot, I shipped the camera equipment back to the States because we wouldn't need it in Shanghai. Talk about adventure! I had no idea how tricky it would be ship batteries - especially the larger Anton Bauer batteries we like to use with our camera. DHL won't even ship batteries. And lithium batteries over a certain size are very difficult to ship. So we rented Nickel-based batteries (which are deemed safer for air travel). Even still, we had to ship the camera equipment DHL but the batteries via Fed Ex.

Why two different carriers? Well, DHL was about half the cost and since they wouldn't take the batteries, we had to split the shipments. Doesn't sound like a big deal right? Well for production, it took us a while to figure all of this out and come up with this plan, fill out all the paperwork, and get the equipment to the right carriers. It doesn't end with the shipping. The camera equipment got stuck in customs in LA for about a week and two of the batteries went missing for a few days. They surfaced after our camera house called and forced an investigation. That's just a little insight into what may seem minor but can mean multiple man hours figuring out.

Following our week in Hong Kong, we flew north to Shanghai and had immediate relief with the weather. It was cool and dry in the 70s. Like Hong Kong, Shanghai is also bustling. They have over 20 million people as compared to Los Angeles with its 4 million. A bit of a difference. We had a great time touring Shanghai and meeting with possible interviewees. One of my favorite places is an area called the French Concession. It consists of street vendors, bars and eateries.


Water Town Shanghai
Water Town Shanghai
Water Town Shanghai
Water Town Shanghai
French Concession Shanghai
French Concession Shanghai
French Concession Shanghai
Shanghai


The Bund, Shanghai
The Bund, Shanghai
The Team in Shangahi


We go back to Shanghai again soon. Prep begins in about a week. I hear the weather will be hot and muggy when we go back. Thank goodness for Columbia and North Face outdoor gear! I stocked up this past weekend. I think I'm ready!
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Posted in 2013, documentary, Hong Kong, Shanghai | No comments
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      • I'm Grateful for My Internships in Film
      • Watch Our New "Hi. It's Taryn." Episode and Learn ...
      • Ethan Hawke and His Current Indie Success
      • Steven Spielberg and George Lucas: Welcome to My W...
      • I'm Making a New Movie: Ashland
      • To Defer or Not to Defer: The Real Scoop on Film D...
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      • Coming Soon to YouTube: "Hi. It's Taryn."
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