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Tuesday, 13 September 2011

Fair Use & Copyright & Films

Posted on 12:26 by clark
Fair use is a foggy arena for filmmaking. As filmmakers you try your best to license all material in your movies. It's required by law and your Errors and Ommissions policy and your distributors. And it's the right thing to do. Would you like it if someone else gained from your hard work?

However, there may be some material that is available to the world, like news reports etc, and those who own it may not want to license it to you or you may not be able to track down the owners or it may be so costly that you can't afford to clear it but it's extremely important to the piece you are creating.

In these cases, and I want to make this very clear that this is just my opinion and I am not a lawyer, you MIGHT be able to make a case that you can use the material under fair use. According to the U.S. Copyright Office Web site,

"The doctrine of fair use has developed through a substantial number of court decisions over the years and has been codified in section 107 of the copyright law.

Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:
  1. The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes
  2. The nature of the copyrighted work
  3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  4. The effect of the use upon the potential market for, or value of, the copyrighted work
The distinction between fair use and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission."

If you are uncertain about whether something would be considered fair use or not, you can consult an attorney who specializes in fair use law and he or she can write up a fair use opinion report. You could then use that report to substantiate your use of the un-licensed material.

Also fair use attorney Michael McDonald wrote a book on the subject: Clearance & Copyright: Everything You Need to Know for Film and Television.  Check it out if you want to know the gritty details about clearances and copyright. It's a fascinating topic for filmmakers.



The major downside to using un-licensed material and invoking fair use is not having access to a high resolution image for your piece - which may be the deciding factor on whether to use it or not.
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Posted in copyright, fair use | No comments

Monday, 12 September 2011

Take Me Home Playing Boston Film Festival - Sept 17

Posted on 15:10 by clark
Our film Take Me Home will be playing the Boston Film Festival this weekend! Come on out and join us if you are in the area. Sam Jaeger and his costar and wife Amber Jaeger will be in attendance. 


The screening will be held Saturday night (Sept 17) at 7p at the Stuart Street Playhouse: http://www.bostonfilmfestival.org/schedule.shtml.


Here's the trailer if you haven't seen it yet:




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Tuesday, 6 September 2011

Film Festivals Are Expensive!

Posted on 19:48 by clark
Okay, I'm saying it out loud. I think most of us feel the same way. I wish I could afford to attend all film festivals. It would be great for networking and seeing many films that may never get traditional distribution. But I have to say, they are pricey!

I have two films on the festival circuit right now and keeping up with them has deflated my wallet substantially. I'm sure all of you can relate to this dilemma: you try your best to put festival costs in your budget and inevitably your post production eats it all up. And when your film is finally getting some attention, you can't even afford to revel in it. So sad.

And then the premiere festivals come around and you hope you have a windfall so you can attend but typically, you find it difficult to afford the few thousand that it takes to be there. Again, sad.

And between you and me, I'm not quite sure why the festivals will only cover accommodations and travel for the director. It's true that the film is the director's vision. But the film is also the producer's creation. I don't think most understand the tremendous weight of responsibility that rests on a producer's shoulders. Everyone, including the director, looks to the producer to make it ALL OKAY. Any hiccup is the producer's problem to fix. And trust me, there are usually a lot of hiccups. Gripe, gripe, gripe. There, I've said it. Now time to move on.

The great thing it is that I have worked with a wonderful group of directors who do honor what I do. So even though the festivals won't provide the same accolades to the lowly producer, all I have to do is look to my directors and they are there in my corner always - as I am in theirs. And that's really what counts. So whenever you are feeling neglected by the industry, just look to your team and they should be there for you. If they aren't then you need a new team. Keep looking, you will find them.
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Posted in Festivals | No comments

Tuesday, 30 August 2011

Daryl Hannah Narrates Our Film on Keystone XL

Posted on 09:37 by clark

Celebrated actress and environmental activist, Daryl Hannah is narrating our new short documentary on the Keystone XL Pipeline. She spent the weekend with us narrating and today, she in Washington DC protesting the pipeline and has been arrested for it.

We are racing to finish the film so it has time to reach the Capitol as they continue their decision-making process on the pipeline. Hopefully it will help give a voice in this David v. Goliath situation.
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Posted in Keystone XL | No comments

Thursday, 25 August 2011

Karin Chien on Producing the New Indie Film Circumstance

Posted on 19:40 by clark
Karin Chien is a New York-based independent film producer. Her new film Circumstance opens this weekend in LA and NY. If you are in either city, you definitely need to see it. Here is the movie's Facebook page - Like It!
     I asked her a few questions about the making of the film in the Middle East and how she feels about being a rock star indie producer - Go Karin!
  • How did you get involved in the making of Circumstance?

Gina Kwon, producer of THE FUTURE, actually brought the script to me. Gina was Maryam's advisor in the Film Indepedent Producer's Lab. The idea was to produce it together, but at the time I was busy starting up dGenerate Films. But I never forgot the script, so when my plate cleared 6 months later, I called Maryam and asked if she still needed a producer.  
  • What did you think of the story the first time you read it? 

The first, second and third time I read the script, it blew me away. The story had everything I was looking for -- incredibly interesting female characters, a politically charged story, and layers of smart, powerful storytelling.

  • What made you decide to produce it?

I knew this story had to be told, with me producing or someone else. When I watched Maryam's short films is when I decided to produce it. Her vision is cinematic and sensual, exactly what this very smart script needed.
  • This was writer/director Maryam Keshavarz’s first feature. What should we know about her? 

Maryam is a talented storyteller and she loves to push boundaries. 
  • What was it like to make a movie in the Middle East?

Exciting, chaotic, stressful, challenging. Undercover police visits, random military checks on set, security surveillance of our filming - this was all routine in Beirut. Lebanon has a very weak film infrastructure but a very strong censorship system . We had to submit a "sanitized" script to the censors and then I carried our exposed film to Jordan to ship back to the US. And on a day to day level, we were navigating 3 languages on set and unspoken political and cultural rules that we couldn't begin to grasp. Plus the phone costs were astronomical. I didn't have a phone for 2 months! Imagine producing without a cell phone or high-speed Internet. Our 1st AD had no walkies and an entirely green AD and PA team. Our DP had a great bunch of guys who did not speak any English. Our sound mixer was working with a Lebanese crew who'd never experienced location sound recording. It was an adjustment in every way. 
  • What was the most challenging aspect of making this movie?

The amount of energy it required. When I came back from the shoot, I slept the entire 14 hour plane ride back to New York, and then went home and slept 30 hours straight! From development to Sundance premiere, this film took all the emotional, mental and physical energy I could muster. 
  • What do you love the most about this movie?

 It's an engaging, thrilling, beautiful film about personal freedom. I also love that the female characters are defined by their choices, not by their relationships to the men in the film. 
  • Can you explain what happened after you finished the film and how it came to be theatrically released in a time when theatrical releases are very difficult for independent films? 

We had a fairy tale Sundance story. The best thing I did for our premiere, was to hire the smartest publicist (Jim Dobson) and most passionate producers rep (Ben Weiss) I could find. This is a subtitled film with no name actors. It would not survive on a sales slate of 12 films with a cookie-cutter publicity strategy. So I found people who would champion the film and fight for it. Ben and Jim also believed in the film's commercial potential way more than I did. Those are the people you want selling and publicizing your film. Jim and Ben pitched their hearts out up until the Sundance premiere, and at that point, your film has to take over. And it did. We got a standing ovation at our premiere. I cannot describe what an incredible moment that was. Then after the Q&A, Jonathan King from Participant Media approached us. I love Participant, but I knew they don't distribute films. But Ben helped spin their interest, along with others, into a bidding war. Within 48 hours, Participant acquired the film, and after Sundance, after the film won the Audience Award, they brought on Roadside. It was by far the best possible outcome. Participant is a master at handling socially relevant entertainment, and Roadside is the best indie film distributor out there. We were very very lucky. 
  • Why should people go see Circumstance?

It will excite them and entertain them. They will fall in love with Atafeh, the lead character, and they will see a side of the Middle East they cannot see anywhere else. 
  • What do you like about being an independent film producer?

It challenges every part of me. It's impossible to be good at everything producing requires of you. I like that. I also get to live this incredible life - I work all over the world with brilliant and talented people. 
  • What advice would you give aspiring independent film producers?

I would really encourage aspiring film producers to think about what kind of life they want. Your personality has to be suited to be an independent film producer in order to stay the course. An intern of mine once said she craves constant validation, and I told her not to go become an indie film producer - she'd be miserable. So if you like unpredictability and abhor structure, if you crave impossible challenges and hate routine, and if you don't mind working nonstop for years, then independent film producing may be the right fit for you. It's hard as hell but it's an incredibly exciting, enriching and rewarding life. 
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Posted in Karin Chien | No comments

The Funding Journey Behind Indie Hit Circumstance

Posted on 10:32 by clark
One of my dearest friends and an amazing producer Karin Chien produced the new film Circumstance, which hits LA and NY theaters this weekend (please go see it!).

I wanted to post this blog that she wrote about how they achieved the budget for a lesbian, middle eastern film. It's an enthralling and inspiring journey.

Check it out at Cinereach here.
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Posted in Circumstance, Karin Chien | No comments

Wednesday, 17 August 2011

Take Me Home Won First Prize Audience Choice Award at Rhode Island Film Festival

Posted on 21:41 by clark
Thanks Rhode Island Film Festival! We are super excited to have won the audience choice award. It's so wonderful to know that your audience loved the film - yes!

On to the next festivals: Alburquerque, Boston, Chicago, Napa, Naples, Savannah and possibly more.

Go Take Me Home!
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clark
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