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Friday, 27 February 2009

Taxes and Films

Posted on 19:26 by clark
The tax season is upon us. And as a producer, I am in charge of ensuring each film I have produced meets its tax requirements. This responsibility brings me so much joy -- okay, that's not true at all but it's a responsibility I take very seriously and which definitely adds a lot more grey hair to my head. 

Every film is normally set up as its own business, typically as a Limited Liability Company. I usually start an LLC for a film during pre-production. I am not quick to start new companies because they are costly ($800 per year minimum with a $20 Statement of Info fee every couple of years) in California and I really don't need anymore grey hair. 

I find $800 to be extremely high for companies that typically don't make much money. I asked my accountant why the fee was so high and she explained it to me like this: California considers it a privilege for us to do business in the state. Therefore, they feel we must pay for that privilege. And boy do we pay! Other states can be much less costly. Georgia only charges $30/year for the privilege of doing business in their state. I think we should be more like Georgia, don't you?

It's not uncommon for me to be managing 5 or more LLCs at one time. Each LLC requires a breakdown of expenses. I do this with my business partner Jade in Quickbooks. It's extremely tedious and contributes to more grey hair. We then do a marathon meeting with our accountant who does the taxes for all the businesses along with our personal taxes in one sitting. I am writing about this today because I just finished a few days of preparing everything for that appointment and just got back from that appointment now. Whew! Another year behind me. Here's to the future and no more taxes until next year!
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Posted in LLC, Taxes | No comments

Wednesday, 25 February 2009

Take Action!

Posted on 10:10 by clark
Any lover of independent film must read this call to action from Ted Hope. I'm asking Ted how we can come together as a community and effect change. I hope to have more suggestions soon.
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Posted in Independent filmmaking, Save Indie Film | No comments

Cannes in a Van and Paper Airplanes in NYC

Posted on 07:59 by clark
I read about Cannes in a Van and I had to share. It's this wacky kind of film promotion that I love. 

Also check out the video of a paper airplane flight in NYC. When I had an office in Soho, I did the same thing. It's a beautiful sight.

CANNES in a VAN - The Perfect Vehicle for Independent Film
www.cannesinavan.com

The wheels are turning once again!
While our 2009 site currently has the decorators in and should be up and running soon, we're calling for submissions for the Cannes in a Van 2009 trip to the Cote d'Azur. True to form of the last 2 years showcasing independent film right on the Croisette from our humble yellow Ford Transit, against the odds (and the 'crunch'), we're doing it again... and we'd love you to join us.

SCREEN YOUR FILMS in CANNES & be part of The Smallest Mobile Film Festival in the World.
If you are a filmmaker, film collective or production company who wants to screen your film or selection at CANNES in a VAN, we want to hear from you.
This year, as well as cramming in as many shorts as we can in the space of 10 days, we want to 'champion' a select bunch of films - with repeat screenings, web presence and promotion. We aim to give them the unique international exposure only Cannes in a Van can! Oh, and it's free.
All you need to do is download the submission form and send it with your film to the address on the form. You can find the submission form at:

http://www.shallowfilms.com/Cannesinavan/DESIGN/COPY/CiaV%20submission (...)

ABOUT US
There's not a lot to it really... We screen your films, to a captive, film-loving audience at the Cannes Film Festival, from a van. We do it because we love film... and filmmakers. We've had some great support in the last two years from various sponsors (check out the 2008 site for links) as well as some generous filmmakers, which enable us to make the trip.
It's in the spirit of guerilla cinema and we need as much word-of-mouth support as we can get, including forwarding the site on to friends, journalists, filmmakers, media... sponsorship from small companies and any ideas, feedback or help you might be able to offer. We can offer links and advertising in return for sponsorship and would love to support whoever we can.
Last year we went green too, converting the van to run on vegetable oil (courtesy of Bloomingfutures.com). It's just not so good in the cold!

GET INVOLVED
We're looking for people to lend a hand while we're in Cannes, so if you're going to be at the festival and want to get involved in something that's promoting independent film in it's purest form, drop us a line.

THANKS FOR LISTENING and don't forget to send in your films!
PLEASE SUPPORT US IN ANY WAY YOU CANNES!

Email us at:
twoblokes@cannesinavan.com

Cheers

Andy
CANNESinaVAN




Flying from Sam Fuller on Vimeo.
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Tuesday, 24 February 2009

New Yorker Closes Doors. Let's Keep Ours Open!

Posted on 09:37 by clark
The indie world is in a tizzy right now over the closing of longstanding indie distributor New Yorker. It's a sad day when a company like New Yorker shuts its doors. To think that they made it through decades (43 years to be exact) of perilous times only to meet its demise in a time when society needs access to auteur filmmaking more than ever. IndieWire has a great article here on the whole gut-wrenching story. 

Talk about rubbing salt in all our wounds after we dig ourselves in this hole by foolishly overextending on home loans and allowing Wall Street to play Monopoly with our money. A side effect of all of this play time is the loss of the treasures like New Yorker. I can only hope we all have learned from our mistakes. I'm certainly learning as I struggle to stay alive myself! 

The days of knowingly overextending ourselves in the hopes that we will figure it out in the future are gone. This is true for us in the indie film world. We can't greenlight films in the hopes that we will make our money back. We need to "know" as much as we possibly can that we can make the money back or we will all end up with our doors closed. 

How do we do that? Research and work. We can't "guess" that our audience will like the film and want to see it. We need to find out before we even make the film who our audience is and will they want to see this film. We need to cast the film with our audience's interests in mind. We need to create a budget and cut it in half. We need to market our stories as soon as we have them. Basically, we need to do everything we can at the earliest stage possible to ensure our doors stay open! 
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Posted in Distribution, Financing, New Yorker | No comments

Monday, 23 February 2009

2009 Oscar and Spirit Award Winners

Posted on 08:56 by clark
Category 2009 Oscar 2009 Spirit Award
Best Picture Slumdog Millionaire       The Wrestler
First Feature Synecdoche, New York
Director Danny Boyle               Tom McCarthy
Actor Sean Penn          Mickey Rourke
Actress Kate Winslet               Melissa Leo
Foreign                 Departures The Class
Documentary Man on Wire Man on Wire
Cinematography Slumdog Millionaire The Wrestler
Sup Actress Penelope Cruz              Penelope Cruz
Sup Actor Heath Ledger                 James Franco
Screenplay Woody Allen, V.C.B.
First S-play Dustin Lance Black, Milk
Adapted S-play Simon Beaufoy, Slumdog
Original S-play Dustin Lance Black, Milk
Song "Jai Ho," Slumdog
Score Slumdog Millionaire
Editing Chris Dickens, Slumdog
Sound Mixing Slumdog Millionaire
Sound Editing The Dark Knight
Visual Effects The Curious Case of Benjamin Button
Doc Short Smile Pinki
Short (Live) Spielzeugland (Toyland)
Makeup The Curious Case of Benjamin Button
Costume           The Duchess
Art Direction The Curious Case of Benjamin Button
Short (Ani.) La Maison en Petits Cubes
Ani. Feature Wall-E
John Cassavetes Award In Search of a Midnight Kiss
Robert Altman Award Synecdoche, New York
Piaget Producers Award Heather Rae
Acura Someone to Watch Award Lynn Shelton
Lacoste Truer Than Fiction Award Margaret Brown


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Posted in | No comments

Saturday, 21 February 2009

2009 Independent Spirit Awards

Posted on 11:05 by clark
Today's the day for the 2009 Independent Spirit Awards! Catch them on IFC at 2p pst/5p est or on AMC (edited and rebroadcast) at 10p est & pst. They are also streaming live on the Spirit Awards Web site. Indie films that have excelled in 2008 are nominated in various categories, like the Oscars, and given a platform for well-deserved accolades. Click here for a list of the nominees.

Film Independent (FIND) is the organization behind these awards. Those independent films that meet the following criteria (from the Spirit Awards Web site) are considered:
  1. All submitted films must be at least 70 minutes long.
  2. Cost of completed film, including post, must be less than $20 million.(For verification purposes, all films with total budgets exceeding $15 million or films with budgets under $500,000 applying for the Cassavetes Award are required to submit the top sheets from the film's Final Cost Report.)
  3. Eligible films must have either: a) Been shown at least one week in a commercial theater between January 1 and December 31, 2008; or b) Been shown in 2008 at one of the following six film festivals: The Los Angeles Film Festival, New Directors/New Films, New York, Sundance, Telluride, or Toronto. Films that have or will have domestic theatrical distribution should be submitted the year of their theatrical run.
The Nominating Guidelines (also from the Spirit Awards Web site) are: 

Uniqueness of vision
Original, provocative subject matter
Economy of means (with particular attention paid to total production cost and individual compensation)
Percentage of financing from independent sources
Except for the category of Best Documentary and Best Foreign Film, all nominations go to American films, defined as either:
Having at least one U.S. Citizen or Permanent Resident credited in two or more of the following categories of responsibility: writer, director, producer; OR
The film is set in the United States and fully financed by a company whose principal office is in the U.S.

So now that you are knowledgeable on how the films made their way to the nomination, tune in and see who wins! 

I'm really excited to see that a number of films (Frozen River, Rachel Getting Married, The Visitor, Milk, The Wrestler, Vicky Cristina Barcelona, Man on Wire, Encounters at the End of the World, and The Betrayal) are in the running for both an Independent Spirit Award and an Oscar. All in the same weekend! Those filmmakers must be very happy and it's a great boost to the credibility of indie filmmaking. I'll be cheering for them all. 
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Posted in Film Independent, FIND, Independent Spirit Awards, Oscars | No comments

Friday, 20 February 2009

SAG v. AMPTP

Posted on 08:27 by clark
There is still no deal between SAG and the AMPTP. This past week had both parties in a flurry of negotiating. I'm actually not surprised. If their negotiations are anything like traditional negotiations for talent agreements then this could go on forever. The new offer from the AMPTP is at their Web site here. 

What does all this negotiating mean?

For producers, it means that we are cautious about greenlighting a picture until the negotiations are completed. Why? Because there is still a possibility of a breakdown in negotiating, which could trigger a strike. If SAG is striking then we aren't filming and we are losing money. 

SAG was offering Completion Guarantee contracts for independent projects as long as the independent projects agreed to the changes in the new contract. I have a Completion Guarantee on two of my projects. However, not every project qualifies and I am hearing that SAG may not even be offering anymore of these contracts. 

I said it before and will say it again: Please SAG, don't strike! 
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Posted in AMPTP, SAG, Strike | No comments
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