all about indie film making

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Wednesday, 20 May 2009

Email Exchange on How We Can Save Indie Film

Posted on 08:04 by clark
Indie film producer Ted Hope sent out an email blast yesterday about Good Movies and What You Can Do to Save Them. Of course, I had to stop what I was doing and read and respond. Ted works hard to bring awareness to the current indie film plight:
  • distribution has dried up -- even on movies with known celebrities
  • distributors have folded
  • movies aren't selling
  • advances are smaller
  • investor money is hard to come by
  • pre-sales are nonexistent
I always like an opportunity to think about what we can do to make our situation better. I don't claim to have the answers. Neither does Ted. But maybe all this talking can lead to some answers. We hope you respond too!

Here is a link to Ted's email blast. 

Here is my response: 

Hi Ted,

I think the message is being heard but there are no real stand-out viable solutions on the landscape so everyone is talking and some are doing but no “real” solutions are being endorsed.

I feel we need to be reaching out to the masses on a global scale about our problems. We need to push out beyond the panels at film industry functions and the filmmaking community and reach our audience with our dilemma and our films. I was happy to see your interview on Fox Business. More of that needs to happen. We need Oprah and Larry King, etc. And we need exposure on a big level for our projects. How do we get our stars of our small films on The Today Show?

Before, we relied on the distributors to reach the audience and entice them to see our films. They have stopped doing that so we have to take that on and how does one filmmaker with one project really reach a large audience without help? I fear it’s impossible and breeds such inefficiency. This means filmmakers are re-inventing the wheel of reaching an audience over and over. How can we come together as filmmakers and build on our efforts of reaching an audience — a wide audience!

The ones with the power here is clear: the audience. If they want us, we will survive. Now, how do we get them to want us?

We need a Facebook or Twitter-like phenomenon that grabs the world’s attention — not just the filmmaking community. We need the audiences to stand up and support the indie filmmaking community and show they want to see these films. They need to start going to the theater more and renting indie film more. I think indie film was able to survive off its novelty for years but the novelty is gone. We flooded the world with indies and we have to figure out how to survive now that the novelty is gone.

The world is changing and we need to change with it. We should be focusing on audience awareness on a much higher level than just individual filmmakers blogging about their films and having a Facebook, MySpace page and Twitter account. Those efforts are great but are they really going to get the returns we need on our films to survive? I think we need to get out there in front of our audiences more. Just like politicians, we need to shake the hands of our supporters. We need to get in front of the media. Give the audience a reason to support us!

I know that’s hard because many of us don’t even have the means to finish our films much less do a marketing/publicity launch. But maybe if we realize that is what is needed for our success, we will start building public awareness funds into our projects and develop real ideas that work in reaching the masses. Marketers for the studios have figured out how to reach the masses. We need marketing ideas that help us to get the word out on a global scale with real results that don’t get drowned out by the studio megaphones.  

We can do this. We just have to embrace the key to our survival: the audience, and really focus our efforts on reaching them. And I think it needs to be teamwork. DIY or Do It Yourself gives me the chills. It’s too small, exhausting, and inefficient. We need DIT or Do It Together.

Jane
Email ThisBlogThis!Share to XShare to Facebook
Posted in Industry | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • The Road to Sundance: Spoonful, directed by Jenee LaMarque
    Tell us about your film. What inspired you to make it? My film is called spoonful and it's part of the U.S. Shorts Competition.  The fi...
  • Road to Sundance 2013: Black Metal (short), directed by Kat Candler
    Kat Candler Black Metal Production Still Black Metal Production Still Tell us about your film. What inspired you to make it? Black Met...
  • Road to Sundance 2013: Concussion, directed by Staci Passon
    The All About Indie Filmmaking Road to Sundance 2013 Feature begins with a Q&A with Director Staci Passon. Her film is titled Concussion...
  • The Importance of Giving in Order to Receive
    I wanted to talk about the importance of giving to your fellow filmmakers. There will be many times that your colleagues will come to you an...
  • The Road to Sundance: Juku, directed by Kiro Russo
    Tell us about your film. What inspired you to make it? Our film is titled JUKU. The Jukus are mine thieves, expert miners who choose to risk...
  • Road to Sundance 2014: 130919 • A Portrait of Marina Abramović (short), Directed by Matthu Placek
    Matthu Placek What made you decide to become a filmmaker? My background is still photography. I have always focused on portraiture in ...
  • Road to Sundance 2013: KARAOKE! (short), directed by Andrew Renzi
    Andrew Renzi KARAOKE! Production Still KARAOKE! Production Still Tell us about your film. The film I have playing at Sundance this year is a...
  • Women Filmmakers, Our Discussion
    We're having a great discussion over at Women and Hollywood today. The blog I wrote about women needing to make more movies and network...
  • Casting an Indie Film: Our Journey Casting Trevor Morgan, Rumer Willis and Robert Loggia in The Diary of Preston Plummer
    My recent film The Diary of Preston Plummer stars Trevor Morgan, Rumer Willis and Robert Loggia. Director Sean Ackerman and I pinch ourselv...
  • Movie Theaters' Struggle Mirrors Indie Film Struggle
    Just as indie filmmakers are struggling to survive, movie theaters are having a tough time too. Especially the theaters that can't affor...

Categories

  • 1150 Project
  • 130919
  • 2010
  • 2012 Producing Lab
  • 2013
  • A Portrait of Marina Abramovic
  • Actors
  • Alfred P. Sloan Grant 2012
  • Alix Lambert
  • All About Indie Filmmaking
  • American Cinematheque
  • AMPTP
  • Andrew Renzi
  • Andy Gates
  • Angelina Jolie
  • Ann Tierney
  • Ann Tierney Kelly
  • Art of Deception
  • articles
  • Artists
  • ASCAP
  • Ashland
  • Audience
  • Average Joe
  • Awards
  • Backstory Magazine
  • Before Midnight
  • Ben Lewis
  • Bill Pohlad
  • Black Metal
  • blogging
  • blogs
  • BlueCat
  • Bob Berney
  • book trailer
  • Books
  • Box Office
  • Brandon Trenz
  • Brian George
  • Brin Hill
  • Brothers
  • Budgeting
  • Business of Filmmaking
  • Cannes
  • Canon D5
  • Career in Film
  • Casting
  • Chain of Title
  • Chapel Perilous
  • Chick Flicks
  • Chris Brady
  • Chris Mars
  • Circles
  • Circumstance
  • Citizen Hearst
  • Competitions
  • Concussion
  • Contests
  • copyright
  • Credits
  • Crew
  • Crime: Marcus McGhee
  • crowdfunding
  • Dandekar Makes a Sandwich
  • Days with Dandekar
  • DDACS
  • Deliverables
  • Deliverables 2012
  • Development
  • Diary of Preston Plummer
  • Digital Distribution
  • Digital Downloads
  • Director
  • directors
  • Disney
  • Distribution
  • DIY
  • Do It Yourself
  • documentary
  • Drama
  • DSLR
  • Elizabeth Gilbert
  • Entertainment Advertising
  • Episode 1
  • EPK
  • Ethan Hawke
  • European Coproductions
  • fair use
  • Fake Eyelashes
  • Festivals
  • Fierce Friend
  • Film Deferrals
  • Film Family
  • film festivals
  • Film Independent
  • Filmmaker Magazine
  • Filmmaking
  • Filmmaking Stuff
  • Final Draft
  • Financing
  • Financing Producing Investing
  • FIND
  • Football Movies
  • Foreign Financing
  • foreign sales
  • Fox Atomic
  • Francis Ford Coppola
  • Frank Darabont
  • Fredrik Bond
  • Future
  • Gay Baby
  • George Lucas
  • Gigantic Releasing
  • Girl Rising
  • Google
  • Google and the World Brain
  • Google Docs
  • Gordon Firemark
  • Gotham Awards 2012
  • Grants
  • Greg Camalier
  • guest blog
  • GUN
  • Hair Bow
  • Hair Chalk
  • Happy Holidays
  • Hearst Castle
  • Hearst Documentary
  • Heat
  • Heath Ledger
  • Heidi Van Lier
  • Hi. It's Taryn.
  • Hiring
  • History
  • Hollywood
  • Hong Kong
  • Houston
  • Hulu
  • I Love My Annoying Spouse
  • ian agard
  • Ice Cream
  • ILM
  • Imaginarium
  • Imagineering
  • In Confidence
  • In Hanford
  • In the Land of Blood and Honey
  • In Your Eyes
  • Independent filmmaking
  • Independent Spirit Awards
  • Independent Spirit Awards 2013
  • IndieGoGo
  • IndieReign
  • IndieVest
  • Industry
  • Inglorious Basterds
  • International sales
  • Internet
  • Internships
  • Investing
  • Investors
  • Irish Folk Furniture
  • It's Me
  • It's Not You
  • Jane Kelly Kosek
  • Jason Brubaker
  • Jason Pickar
  • Jason Willis
  • Jeff Goldsmith
  • Jiseul
  • Job
  • John Hughes
  • Jonny Loquasto
  • Joseph Gordon-Levitt
  • Joss Whedon
  • Karaoke
  • Karin Chien
  • Kat Candler
  • Keystone XL
  • Kickstarter
  • Killer Films
  • Kristin Goodman
  • Krugovi
  • LAFF
  • laura ziskin
  • Learning
  • Leena Pendharkar
  • Leslie Morgan
  • Lincoln
  • LLC
  • location scouting
  • Locations
  • Mark Stolaroff
  • Marketing
  • Markets
  • Massify
  • Matthew Lessner
  • Matthu Placek
  • Merry Christmas
  • Miami International Film Festival
  • Michael Moore
  • Michael Tyburski
  • Mini-Series
  • Mommyhood
  • Mon Rok
  • Movie Theaters
  • Muscle Shoals
  • Music
  • Music Licensing
  • My Sense of Modesty
  • Natasha Richardson
  • Nathan Ives
  • Negotiating
  • Netflix
  • Networking
  • New York
  • New York Film Academy
  • New Yorker
  • News
  • No Budget Film School
  • Not Since You
  • novella
  • O Muel
  • Olympic Conquest
  • On Location
  • Online
  • Options
  • Oscars
  • Overly Attached Andy
  • Packaging
  • Palimpsest
  • Partnerships
  • Perfect Boyfriend
  • Peter Broderick
  • Photo
  • Picturehouse
  • Pilot Episode
  • Pipe Dreams
  • Pitching Tents
  • Plain Clothes
  • Polish Bros
  • Post Production
  • Poster
  • Premieres
  • Press Break
  • Producer
  • Producer Reps
  • producers
  • Producing
  • Production
  • Publicity
  • Quality Control
  • Quentin Tarantino
  • Quickbooks
  • Relationships
  • Retirement
  • Review
  • Richard Robbins
  • Road to Slamdance
  • Road to Sundance
  • Road to Sundance 2013
  • Road to Sundance 2013: Catnip: Egress to Oblivion?
  • Road to Sundance 2014
  • Robert Loggia
  • romantic script
  • Rumer Willis
  • SAG
  • SAG Production Producing Actors
  • Salaries
  • Salary
  • Sales
  • Sam Chou
  • Sam Cohn
  • Sam Jaeger
  • San Luis Obispo Film Festival
  • Sarah Jones
  • Save Indie Film
  • Scott Macaulay
  • Screenplay Competition
  • Screenwriting
  • Script consultation
  • Seattle International Film Festival
  • Sebastien Bailly
  • Self-Distribution
  • Seminars
  • Sequins
  • Shanghai
  • short
  • shorts
  • Sloan
  • Snobby Robot
  • So Natural TV
  • Social Media
  • Sound
  • Spencer Gillis
  • Srdan Golubovic
  • Steps
  • Steven Spielberg
  • Storytelling
  • Streaming
  • Strike
  • Sundance
  • Sundance 2012
  • Sundance 2013
  • Sundance 2014
  • Sundance Labs 2013
  • Sunny Mabrey
  • Super U
  • SXSW
  • Take Me Home
  • Taryn Horacek
  • Taryn Show
  • Taxes
  • Team
  • teaser
  • teasers
  • Ted Hope
  • Teen Queens
  • Telluride
  • Telluride 2013
  • tennessee
  • Terry Gilliam
  • Tetro
  • Thanksgiving
  • The Big Wedding
  • The Diary of Preston Plummer
  • The Film Collaborative
  • The Machine Which Makes Everything Disappear
  • The Necessary Death of Charlie Countryman
  • The Purge
  • The Virgin
  • The Walking Dead
  • Theaters
  • Theatrical
  • Tim and Susan Have Matching Handguns
  • Tinatin Gurchiani
  • Titles
  • Tony Donoghue
  • Trailer
  • Trailers
  • Trevor Morgan
  • Tribeca
  • Tributes
  • Twitter
  • ultra low budget filmmaking
  • Under One Roof
  • USC
  • Valentine Schmalentine
  • Vimeo
  • vlogging
  • VOD
  • Warner Bros. Digital Distribution
  • Web Series
  • Web site
  • WGA West
  • Will Estes
  • WIP
  • Wish I Was Here
  • Women and Film
  • Writing
  • YouTube
  • YouTube/Play
  • Zach Braff

Blog Archive

  • ►  2014 (19)
    • ►  July (2)
    • ►  June (1)
    • ►  May (2)
    • ►  April (5)
    • ►  February (5)
    • ►  January (4)
  • ►  2013 (79)
    • ►  December (7)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (9)
    • ►  July (4)
    • ►  June (9)
    • ►  May (4)
    • ►  April (6)
    • ►  March (5)
    • ►  February (3)
    • ►  January (19)
  • ►  2012 (72)
    • ►  December (3)
    • ►  November (5)
    • ►  October (6)
    • ►  September (1)
    • ►  August (13)
    • ►  July (3)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (3)
    • ►  February (2)
    • ►  January (31)
  • ►  2011 (77)
    • ►  December (5)
    • ►  November (6)
    • ►  October (6)
    • ►  September (17)
    • ►  August (11)
    • ►  July (7)
    • ►  June (4)
    • ►  May (7)
    • ►  April (7)
    • ►  March (5)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (50)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (1)
    • ►  August (1)
    • ►  July (3)
    • ►  June (2)
    • ►  May (4)
    • ►  April (5)
    • ►  March (7)
    • ►  February (4)
    • ►  January (11)
  • ▼  2009 (202)
    • ►  December (12)
    • ►  November (8)
    • ►  October (12)
    • ►  September (12)
    • ►  August (19)
    • ►  July (12)
    • ►  June (15)
    • ▼  May (35)
      • Sunday Morning Film Reading
      • Your Deliverables for Your Film
      • Breaking Down Final Costs on a Feature
      • It's Back: Top 50 Hottest Young Actors from the Mo...
      • Thoughts from Indie Filmmaker Heidi Van Lier
      • How IndieVest Works
      • Being Positive about Indie Film's Future
      • How Not to Use the Internet to Find Investors for ...
      • Cannes 2009 Winners
      • No Budget Film School
      • Tarantino Press Conference Cannes 2009
      • Michael Moore's Request for Film Subjects
      • Tweet Your Way to an Audience
      • Very Independent Producers on Hulu
      • Email Exchange on How We Can Save Indie Film
      • Interested in Branded Communication? Enter this co...
      • What Rate of Return Should You Offer Your Indie Fi...
      • Challenges of Indie Films
      • How Do You Find Investors?
      • Do People Really Make Movies on Credit Cards?
      • Attending the Film Markets
      • Producer Reps
      • Happy Mother's Day! Are you a Mother Lover?
      • Global Film Initiative Accepting Applications for ...
      • Los Angeles Film Festival 2009 Line Up
      • Three Cheers to Jeffrey Goodman's Success
      • Okay, Wine Lovers -- Best Job Ever!
      • A Legendary Agent Dies: Sam Cohn RIP
      • Sloan Science and Film
      • The Imaginarium of Doctor Parnassus to Be Sold Ear...
      • Elizabeth Gilbert, Author of "Eat, Pray, Love" Tal...
      • How to Stand Up for Your Value as a Producer
      • More Indie Film Distribution Resources
      • Discussions on Indie Film Distribution
      • Seattle International Film Festival 2009
    • ►  April (15)
    • ►  March (21)
    • ►  February (21)
    • ►  January (20)
Powered by Blogger.

About Me

clark
View my complete profile