all about indie film making

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Monday, 15 June 2009

Location Surveys: Hi, We're the Annoying Filmmakers Shooting in Your Neighborhood, Sign Here

Posted on 22:49 by clark
I am helping out a shoot this week and doing some location surveys in downtown LA. What an interesting task and completely exhausting. I have to go door to door to every building in a 300 foot radius of our location and let people know we will be filming there this weekend and during odd hours. (Normally you don't have to survey if you are shooting during business hours.)

I now have an even greater respect for my location crews! My feet hurt, I had no idea where a bathroom could be found, and I was parched from having no liquids in my car! 

I met some really interesting characters though. Totally worth it to me. As a storyteller, meeting new people is always a treat. Some were very nice and welcoming. Others were quick to anger and completely perturbed by my presence at their door. 

One guy was nice at first and then got really angry at the idea the City of LA would disturb him for a shoot 200 feet away. Quote: "I don't care what the hell you do down the street!" And more than a few had no problem ranting about the parking infringements we're going to cause. I left one only to have him follow me down the street so he could continue ranting. That was fun! 

I don't blame them. I hate being inconvenienced too. There's nothing worse then coming home and finding all the parking taken by some invasive film crew. At the same time, the parking is not private. It is owned by the City and if they want to give us permission to block it then they have the right. I definitely see both sides and I'm sympathetic to both. 

Being the survey-taker is a very odd position to be in. Talk about being in the line of fire! Not only are you inconveniencing the neighborhood by filming. You are now entering their establishments and expecting signatures. Knocking on random doors and not knowing who is behind them is kind of bizarre too. Towards the end of the day, I would daydream about who would be behind the door. Thank goodness none of my scary dreams came true!

I have to say I was more than pleasantly surprised though. In general, everyone was very nice and the cast of characters were intriguing. There were graffiti artists painting a whole building, lots of lofts, a toy warehouse, buildings under construction, plenty of mixed-use space (i.e. work and residence). And a couple of really cute restaurants I would have never known about. It's good to get out of your comfort-zone and be part of another world for a while. It offers some good perspective and the discovery of some gems you may want to revisit post-filming.

Honestly, everyone was probably nicer than I would have been if some random person showed up on my doorstep, told me they were coming to take over my parking and make my life more difficult and, btw, can you sign here so I can prove to the permit office, I did my job? 

Thanks everyone for being so nice! See you again in the morning! I'll bring the coffee and the donuts. 
Email ThisBlogThis!Share to XShare to Facebook
Posted in Locations | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • The Road to Sundance: Spoonful, directed by Jenee LaMarque
    Tell us about your film. What inspired you to make it? My film is called spoonful and it's part of the U.S. Shorts Competition.  The fi...
  • Road to Sundance 2013: Black Metal (short), directed by Kat Candler
    Kat Candler Black Metal Production Still Black Metal Production Still Tell us about your film. What inspired you to make it? Black Met...
  • Road to Sundance 2013: Concussion, directed by Staci Passon
    The All About Indie Filmmaking Road to Sundance 2013 Feature begins with a Q&A with Director Staci Passon. Her film is titled Concussion...
  • The Importance of Giving in Order to Receive
    I wanted to talk about the importance of giving to your fellow filmmakers. There will be many times that your colleagues will come to you an...
  • The Road to Sundance: Juku, directed by Kiro Russo
    Tell us about your film. What inspired you to make it? Our film is titled JUKU. The Jukus are mine thieves, expert miners who choose to risk...
  • Road to Sundance 2014: 130919 • A Portrait of Marina Abramović (short), Directed by Matthu Placek
    Matthu Placek What made you decide to become a filmmaker? My background is still photography. I have always focused on portraiture in ...
  • Road to Sundance 2013: KARAOKE! (short), directed by Andrew Renzi
    Andrew Renzi KARAOKE! Production Still KARAOKE! Production Still Tell us about your film. The film I have playing at Sundance this year is a...
  • Women Filmmakers, Our Discussion
    We're having a great discussion over at Women and Hollywood today. The blog I wrote about women needing to make more movies and network...
  • Casting an Indie Film: Our Journey Casting Trevor Morgan, Rumer Willis and Robert Loggia in The Diary of Preston Plummer
    My recent film The Diary of Preston Plummer stars Trevor Morgan, Rumer Willis and Robert Loggia. Director Sean Ackerman and I pinch ourselv...
  • Movie Theaters' Struggle Mirrors Indie Film Struggle
    Just as indie filmmakers are struggling to survive, movie theaters are having a tough time too. Especially the theaters that can't affor...

Categories

  • 1150 Project
  • 130919
  • 2010
  • 2012 Producing Lab
  • 2013
  • A Portrait of Marina Abramovic
  • Actors
  • Alfred P. Sloan Grant 2012
  • Alix Lambert
  • All About Indie Filmmaking
  • American Cinematheque
  • AMPTP
  • Andrew Renzi
  • Andy Gates
  • Angelina Jolie
  • Ann Tierney
  • Ann Tierney Kelly
  • Art of Deception
  • articles
  • Artists
  • ASCAP
  • Ashland
  • Audience
  • Average Joe
  • Awards
  • Backstory Magazine
  • Before Midnight
  • Ben Lewis
  • Bill Pohlad
  • Black Metal
  • blogging
  • blogs
  • BlueCat
  • Bob Berney
  • book trailer
  • Books
  • Box Office
  • Brandon Trenz
  • Brian George
  • Brin Hill
  • Brothers
  • Budgeting
  • Business of Filmmaking
  • Cannes
  • Canon D5
  • Career in Film
  • Casting
  • Chain of Title
  • Chapel Perilous
  • Chick Flicks
  • Chris Brady
  • Chris Mars
  • Circles
  • Circumstance
  • Citizen Hearst
  • Competitions
  • Concussion
  • Contests
  • copyright
  • Credits
  • Crew
  • Crime: Marcus McGhee
  • crowdfunding
  • Dandekar Makes a Sandwich
  • Days with Dandekar
  • DDACS
  • Deliverables
  • Deliverables 2012
  • Development
  • Diary of Preston Plummer
  • Digital Distribution
  • Digital Downloads
  • Director
  • directors
  • Disney
  • Distribution
  • DIY
  • Do It Yourself
  • documentary
  • Drama
  • DSLR
  • Elizabeth Gilbert
  • Entertainment Advertising
  • Episode 1
  • EPK
  • Ethan Hawke
  • European Coproductions
  • fair use
  • Fake Eyelashes
  • Festivals
  • Fierce Friend
  • Film Deferrals
  • Film Family
  • film festivals
  • Film Independent
  • Filmmaker Magazine
  • Filmmaking
  • Filmmaking Stuff
  • Final Draft
  • Financing
  • Financing Producing Investing
  • FIND
  • Football Movies
  • Foreign Financing
  • foreign sales
  • Fox Atomic
  • Francis Ford Coppola
  • Frank Darabont
  • Fredrik Bond
  • Future
  • Gay Baby
  • George Lucas
  • Gigantic Releasing
  • Girl Rising
  • Google
  • Google and the World Brain
  • Google Docs
  • Gordon Firemark
  • Gotham Awards 2012
  • Grants
  • Greg Camalier
  • guest blog
  • GUN
  • Hair Bow
  • Hair Chalk
  • Happy Holidays
  • Hearst Castle
  • Hearst Documentary
  • Heat
  • Heath Ledger
  • Heidi Van Lier
  • Hi. It's Taryn.
  • Hiring
  • History
  • Hollywood
  • Hong Kong
  • Houston
  • Hulu
  • I Love My Annoying Spouse
  • ian agard
  • Ice Cream
  • ILM
  • Imaginarium
  • Imagineering
  • In Confidence
  • In Hanford
  • In the Land of Blood and Honey
  • In Your Eyes
  • Independent filmmaking
  • Independent Spirit Awards
  • Independent Spirit Awards 2013
  • IndieGoGo
  • IndieReign
  • IndieVest
  • Industry
  • Inglorious Basterds
  • International sales
  • Internet
  • Internships
  • Investing
  • Investors
  • Irish Folk Furniture
  • It's Me
  • It's Not You
  • Jane Kelly Kosek
  • Jason Brubaker
  • Jason Pickar
  • Jason Willis
  • Jeff Goldsmith
  • Jiseul
  • Job
  • John Hughes
  • Jonny Loquasto
  • Joseph Gordon-Levitt
  • Joss Whedon
  • Karaoke
  • Karin Chien
  • Kat Candler
  • Keystone XL
  • Kickstarter
  • Killer Films
  • Kristin Goodman
  • Krugovi
  • LAFF
  • laura ziskin
  • Learning
  • Leena Pendharkar
  • Leslie Morgan
  • Lincoln
  • LLC
  • location scouting
  • Locations
  • Mark Stolaroff
  • Marketing
  • Markets
  • Massify
  • Matthew Lessner
  • Matthu Placek
  • Merry Christmas
  • Miami International Film Festival
  • Michael Moore
  • Michael Tyburski
  • Mini-Series
  • Mommyhood
  • Mon Rok
  • Movie Theaters
  • Muscle Shoals
  • Music
  • Music Licensing
  • My Sense of Modesty
  • Natasha Richardson
  • Nathan Ives
  • Negotiating
  • Netflix
  • Networking
  • New York
  • New York Film Academy
  • New Yorker
  • News
  • No Budget Film School
  • Not Since You
  • novella
  • O Muel
  • Olympic Conquest
  • On Location
  • Online
  • Options
  • Oscars
  • Overly Attached Andy
  • Packaging
  • Palimpsest
  • Partnerships
  • Perfect Boyfriend
  • Peter Broderick
  • Photo
  • Picturehouse
  • Pilot Episode
  • Pipe Dreams
  • Pitching Tents
  • Plain Clothes
  • Polish Bros
  • Post Production
  • Poster
  • Premieres
  • Press Break
  • Producer
  • Producer Reps
  • producers
  • Producing
  • Production
  • Publicity
  • Quality Control
  • Quentin Tarantino
  • Quickbooks
  • Relationships
  • Retirement
  • Review
  • Richard Robbins
  • Road to Slamdance
  • Road to Sundance
  • Road to Sundance 2013
  • Road to Sundance 2013: Catnip: Egress to Oblivion?
  • Road to Sundance 2014
  • Robert Loggia
  • romantic script
  • Rumer Willis
  • SAG
  • SAG Production Producing Actors
  • Salaries
  • Salary
  • Sales
  • Sam Chou
  • Sam Cohn
  • Sam Jaeger
  • San Luis Obispo Film Festival
  • Sarah Jones
  • Save Indie Film
  • Scott Macaulay
  • Screenplay Competition
  • Screenwriting
  • Script consultation
  • Seattle International Film Festival
  • Sebastien Bailly
  • Self-Distribution
  • Seminars
  • Sequins
  • Shanghai
  • short
  • shorts
  • Sloan
  • Snobby Robot
  • So Natural TV
  • Social Media
  • Sound
  • Spencer Gillis
  • Srdan Golubovic
  • Steps
  • Steven Spielberg
  • Storytelling
  • Streaming
  • Strike
  • Sundance
  • Sundance 2012
  • Sundance 2013
  • Sundance 2014
  • Sundance Labs 2013
  • Sunny Mabrey
  • Super U
  • SXSW
  • Take Me Home
  • Taryn Horacek
  • Taryn Show
  • Taxes
  • Team
  • teaser
  • teasers
  • Ted Hope
  • Teen Queens
  • Telluride
  • Telluride 2013
  • tennessee
  • Terry Gilliam
  • Tetro
  • Thanksgiving
  • The Big Wedding
  • The Diary of Preston Plummer
  • The Film Collaborative
  • The Machine Which Makes Everything Disappear
  • The Necessary Death of Charlie Countryman
  • The Purge
  • The Virgin
  • The Walking Dead
  • Theaters
  • Theatrical
  • Tim and Susan Have Matching Handguns
  • Tinatin Gurchiani
  • Titles
  • Tony Donoghue
  • Trailer
  • Trailers
  • Trevor Morgan
  • Tribeca
  • Tributes
  • Twitter
  • ultra low budget filmmaking
  • Under One Roof
  • USC
  • Valentine Schmalentine
  • Vimeo
  • vlogging
  • VOD
  • Warner Bros. Digital Distribution
  • Web Series
  • Web site
  • WGA West
  • Will Estes
  • WIP
  • Wish I Was Here
  • Women and Film
  • Writing
  • YouTube
  • YouTube/Play
  • Zach Braff

Blog Archive

  • ►  2014 (19)
    • ►  July (2)
    • ►  June (1)
    • ►  May (2)
    • ►  April (5)
    • ►  February (5)
    • ►  January (4)
  • ►  2013 (79)
    • ►  December (7)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (9)
    • ►  July (4)
    • ►  June (9)
    • ►  May (4)
    • ►  April (6)
    • ►  March (5)
    • ►  February (3)
    • ►  January (19)
  • ►  2012 (72)
    • ►  December (3)
    • ►  November (5)
    • ►  October (6)
    • ►  September (1)
    • ►  August (13)
    • ►  July (3)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (3)
    • ►  February (2)
    • ►  January (31)
  • ►  2011 (77)
    • ►  December (5)
    • ►  November (6)
    • ►  October (6)
    • ►  September (17)
    • ►  August (11)
    • ►  July (7)
    • ►  June (4)
    • ►  May (7)
    • ►  April (7)
    • ►  March (5)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (50)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (1)
    • ►  August (1)
    • ►  July (3)
    • ►  June (2)
    • ►  May (4)
    • ►  April (5)
    • ►  March (7)
    • ►  February (4)
    • ►  January (11)
  • ▼  2009 (202)
    • ►  December (12)
    • ►  November (8)
    • ►  October (12)
    • ►  September (12)
    • ►  August (19)
    • ►  July (12)
    • ▼  June (15)
      • Two Productions at Once
      • Paying Your Bills as a Producer
      • Michael Jackson as Filmmaker - Thriller Video
      • Two in One Day: Farrah Fawcett and Michael Jackson...
      • Working Production and the Indie Film Indusry
      • Location Surveys: Hi, We're the Annoying Filmmaker...
      • The Science and Entertainment Exchange: A Resource...
      • The Ultimate Indie Filmmaker and Entrepreneur: Cop...
      • Internet Marketing for Filmmakers
      • Mandatory Reading: Producers Struggle to Stay Prod...
      • Material Is the Nucleus!
      • 50 Ways to Describe What It Means to Be a Film Pro...
      • Chain of Title for Your Film
      • Running the Financials
      • To Partner or Not to Partner, That Is the Question
    • ►  May (35)
    • ►  April (15)
    • ►  March (21)
    • ►  February (21)
    • ►  January (20)
Powered by Blogger.

About Me

clark
View my complete profile