all about indie film making

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Friday, 17 July 2009

Days 4 & 5 of Take Me Home: The Joys of Filming in Downtown LA

Posted on 10:00 by clark
There are a lot of great things about filming in Downtown Los Angeles. They're used to the needs of film productions, such as strange hours, big crews, quick pace, lots of favors (can we park our huge truck in your alleyway? or can we borrow that light fixture for our very important scene? or where is the closest coffee shop that serves at 3am?), etc.  

So anytime you can work in a production friendly environment that helps. 

But, there are a number of unfriendly aspects to filming downtown. Tight spaces, very expensive parking and permits, not overly safe, and Rats!

On Day 4, I pulled my car in front of the building we were filming in so I could load my stuff at the end of the night (which was really early morning). I then proceeded to watch a colony (well, maybe 3 -- but I thought it was a colony) run under my car and look out at me as I went to get in my car and drive away. Now, I have had friends with pet rats and I love animals. But there's something about seeing city rats run across the street and sit and stare at you from under your car that is very disturbing. 

I had to bring my sound mixer Jordi (who rocks by the way; he's a wonderfully talented Spaniard -- yes, we flew him in from Spain or Luxembourg or somewhere from afar so we could have him) with me to my car so he could help me ward them off should they come out and attack. I'm sure Jordi thought I was nuts but I needed the company. I was convinced the rats would jump in my car as soon as I opened the door. As soon as I started my car, the rats went running and I hightailed it out of there. 

That was Day 4. On Day 5, we had quite an incident at the hotel we were filming in. 

About 3/4 of the way through a very successful filming day, my other producing partner and I were called to set. We were powwowing off set at the time. Now, when all the producers are called to the set, you know there's a problem. A big one. Upon our arrival, we found a resident of the building on the floor, complaining that he tripped on one of our cords and was suffering from back pain. 

Immediately, two of my crew members said they saw him successfully step over the cord and then proceed to "fake" a fall, in their opinion. One also said he saw him swaggering around drunk earlier. But you can't ignore the fact that this person is lying on the floor complaining of injuries, even if you believe the incident is fraudulent. 

As we were evaluating the situation, the resident took a cell phone out of his pocket and called 911. Emergency responders came and he requested an ambulance ride to the hospital. The ambulance came and took him. We compiled witness statements and noted everyone who responded to the scene. I also took pictures of the hallway. A note of the incident will go on our production report and I am providing our insurance company with all of the information.

We then finished our day.

Needless to say, the set on Day 5 went very quickly from a calm, smooth shoot to a bit of chaos. All in a day's work!

We are not filming in downtown LA today. We are off to South Pasadena tonight, filming all night. We even get to hire a port o potty. More to come...
Email ThisBlogThis!Share to XShare to Facebook
Posted in Production | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • The Road to Sundance: Spoonful, directed by Jenee LaMarque
    Tell us about your film. What inspired you to make it? My film is called spoonful and it's part of the U.S. Shorts Competition.  The fi...
  • Road to Sundance 2013: Black Metal (short), directed by Kat Candler
    Kat Candler Black Metal Production Still Black Metal Production Still Tell us about your film. What inspired you to make it? Black Met...
  • Road to Sundance 2013: Concussion, directed by Staci Passon
    The All About Indie Filmmaking Road to Sundance 2013 Feature begins with a Q&A with Director Staci Passon. Her film is titled Concussion...
  • The Importance of Giving in Order to Receive
    I wanted to talk about the importance of giving to your fellow filmmakers. There will be many times that your colleagues will come to you an...
  • The Road to Sundance: Juku, directed by Kiro Russo
    Tell us about your film. What inspired you to make it? Our film is titled JUKU. The Jukus are mine thieves, expert miners who choose to risk...
  • Road to Sundance 2014: 130919 • A Portrait of Marina Abramović (short), Directed by Matthu Placek
    Matthu Placek What made you decide to become a filmmaker? My background is still photography. I have always focused on portraiture in ...
  • Road to Sundance 2013: KARAOKE! (short), directed by Andrew Renzi
    Andrew Renzi KARAOKE! Production Still KARAOKE! Production Still Tell us about your film. The film I have playing at Sundance this year is a...
  • Women Filmmakers, Our Discussion
    We're having a great discussion over at Women and Hollywood today. The blog I wrote about women needing to make more movies and network...
  • Casting an Indie Film: Our Journey Casting Trevor Morgan, Rumer Willis and Robert Loggia in The Diary of Preston Plummer
    My recent film The Diary of Preston Plummer stars Trevor Morgan, Rumer Willis and Robert Loggia. Director Sean Ackerman and I pinch ourselv...
  • Movie Theaters' Struggle Mirrors Indie Film Struggle
    Just as indie filmmakers are struggling to survive, movie theaters are having a tough time too. Especially the theaters that can't affor...

Categories

  • 1150 Project
  • 130919
  • 2010
  • 2012 Producing Lab
  • 2013
  • A Portrait of Marina Abramovic
  • Actors
  • Alfred P. Sloan Grant 2012
  • Alix Lambert
  • All About Indie Filmmaking
  • American Cinematheque
  • AMPTP
  • Andrew Renzi
  • Andy Gates
  • Angelina Jolie
  • Ann Tierney
  • Ann Tierney Kelly
  • Art of Deception
  • articles
  • Artists
  • ASCAP
  • Ashland
  • Audience
  • Average Joe
  • Awards
  • Backstory Magazine
  • Before Midnight
  • Ben Lewis
  • Bill Pohlad
  • Black Metal
  • blogging
  • blogs
  • BlueCat
  • Bob Berney
  • book trailer
  • Books
  • Box Office
  • Brandon Trenz
  • Brian George
  • Brin Hill
  • Brothers
  • Budgeting
  • Business of Filmmaking
  • Cannes
  • Canon D5
  • Career in Film
  • Casting
  • Chain of Title
  • Chapel Perilous
  • Chick Flicks
  • Chris Brady
  • Chris Mars
  • Circles
  • Circumstance
  • Citizen Hearst
  • Competitions
  • Concussion
  • Contests
  • copyright
  • Credits
  • Crew
  • Crime: Marcus McGhee
  • crowdfunding
  • Dandekar Makes a Sandwich
  • Days with Dandekar
  • DDACS
  • Deliverables
  • Deliverables 2012
  • Development
  • Diary of Preston Plummer
  • Digital Distribution
  • Digital Downloads
  • Director
  • directors
  • Disney
  • Distribution
  • DIY
  • Do It Yourself
  • documentary
  • Drama
  • DSLR
  • Elizabeth Gilbert
  • Entertainment Advertising
  • Episode 1
  • EPK
  • Ethan Hawke
  • European Coproductions
  • fair use
  • Fake Eyelashes
  • Festivals
  • Fierce Friend
  • Film Deferrals
  • Film Family
  • film festivals
  • Film Independent
  • Filmmaker Magazine
  • Filmmaking
  • Filmmaking Stuff
  • Final Draft
  • Financing
  • Financing Producing Investing
  • FIND
  • Football Movies
  • Foreign Financing
  • foreign sales
  • Fox Atomic
  • Francis Ford Coppola
  • Frank Darabont
  • Fredrik Bond
  • Future
  • Gay Baby
  • George Lucas
  • Gigantic Releasing
  • Girl Rising
  • Google
  • Google and the World Brain
  • Google Docs
  • Gordon Firemark
  • Gotham Awards 2012
  • Grants
  • Greg Camalier
  • guest blog
  • GUN
  • Hair Bow
  • Hair Chalk
  • Happy Holidays
  • Hearst Castle
  • Hearst Documentary
  • Heat
  • Heath Ledger
  • Heidi Van Lier
  • Hi. It's Taryn.
  • Hiring
  • History
  • Hollywood
  • Hong Kong
  • Houston
  • Hulu
  • I Love My Annoying Spouse
  • ian agard
  • Ice Cream
  • ILM
  • Imaginarium
  • Imagineering
  • In Confidence
  • In Hanford
  • In the Land of Blood and Honey
  • In Your Eyes
  • Independent filmmaking
  • Independent Spirit Awards
  • Independent Spirit Awards 2013
  • IndieGoGo
  • IndieReign
  • IndieVest
  • Industry
  • Inglorious Basterds
  • International sales
  • Internet
  • Internships
  • Investing
  • Investors
  • Irish Folk Furniture
  • It's Me
  • It's Not You
  • Jane Kelly Kosek
  • Jason Brubaker
  • Jason Pickar
  • Jason Willis
  • Jeff Goldsmith
  • Jiseul
  • Job
  • John Hughes
  • Jonny Loquasto
  • Joseph Gordon-Levitt
  • Joss Whedon
  • Karaoke
  • Karin Chien
  • Kat Candler
  • Keystone XL
  • Kickstarter
  • Killer Films
  • Kristin Goodman
  • Krugovi
  • LAFF
  • laura ziskin
  • Learning
  • Leena Pendharkar
  • Leslie Morgan
  • Lincoln
  • LLC
  • location scouting
  • Locations
  • Mark Stolaroff
  • Marketing
  • Markets
  • Massify
  • Matthew Lessner
  • Matthu Placek
  • Merry Christmas
  • Miami International Film Festival
  • Michael Moore
  • Michael Tyburski
  • Mini-Series
  • Mommyhood
  • Mon Rok
  • Movie Theaters
  • Muscle Shoals
  • Music
  • Music Licensing
  • My Sense of Modesty
  • Natasha Richardson
  • Nathan Ives
  • Negotiating
  • Netflix
  • Networking
  • New York
  • New York Film Academy
  • New Yorker
  • News
  • No Budget Film School
  • Not Since You
  • novella
  • O Muel
  • Olympic Conquest
  • On Location
  • Online
  • Options
  • Oscars
  • Overly Attached Andy
  • Packaging
  • Palimpsest
  • Partnerships
  • Perfect Boyfriend
  • Peter Broderick
  • Photo
  • Picturehouse
  • Pilot Episode
  • Pipe Dreams
  • Pitching Tents
  • Plain Clothes
  • Polish Bros
  • Post Production
  • Poster
  • Premieres
  • Press Break
  • Producer
  • Producer Reps
  • producers
  • Producing
  • Production
  • Publicity
  • Quality Control
  • Quentin Tarantino
  • Quickbooks
  • Relationships
  • Retirement
  • Review
  • Richard Robbins
  • Road to Slamdance
  • Road to Sundance
  • Road to Sundance 2013
  • Road to Sundance 2013: Catnip: Egress to Oblivion?
  • Road to Sundance 2014
  • Robert Loggia
  • romantic script
  • Rumer Willis
  • SAG
  • SAG Production Producing Actors
  • Salaries
  • Salary
  • Sales
  • Sam Chou
  • Sam Cohn
  • Sam Jaeger
  • San Luis Obispo Film Festival
  • Sarah Jones
  • Save Indie Film
  • Scott Macaulay
  • Screenplay Competition
  • Screenwriting
  • Script consultation
  • Seattle International Film Festival
  • Sebastien Bailly
  • Self-Distribution
  • Seminars
  • Sequins
  • Shanghai
  • short
  • shorts
  • Sloan
  • Snobby Robot
  • So Natural TV
  • Social Media
  • Sound
  • Spencer Gillis
  • Srdan Golubovic
  • Steps
  • Steven Spielberg
  • Storytelling
  • Streaming
  • Strike
  • Sundance
  • Sundance 2012
  • Sundance 2013
  • Sundance 2014
  • Sundance Labs 2013
  • Sunny Mabrey
  • Super U
  • SXSW
  • Take Me Home
  • Taryn Horacek
  • Taryn Show
  • Taxes
  • Team
  • teaser
  • teasers
  • Ted Hope
  • Teen Queens
  • Telluride
  • Telluride 2013
  • tennessee
  • Terry Gilliam
  • Tetro
  • Thanksgiving
  • The Big Wedding
  • The Diary of Preston Plummer
  • The Film Collaborative
  • The Machine Which Makes Everything Disappear
  • The Necessary Death of Charlie Countryman
  • The Purge
  • The Virgin
  • The Walking Dead
  • Theaters
  • Theatrical
  • Tim and Susan Have Matching Handguns
  • Tinatin Gurchiani
  • Titles
  • Tony Donoghue
  • Trailer
  • Trailers
  • Trevor Morgan
  • Tribeca
  • Tributes
  • Twitter
  • ultra low budget filmmaking
  • Under One Roof
  • USC
  • Valentine Schmalentine
  • Vimeo
  • vlogging
  • VOD
  • Warner Bros. Digital Distribution
  • Web Series
  • Web site
  • WGA West
  • Will Estes
  • WIP
  • Wish I Was Here
  • Women and Film
  • Writing
  • YouTube
  • YouTube/Play
  • Zach Braff

Blog Archive

  • ►  2014 (19)
    • ►  July (2)
    • ►  June (1)
    • ►  May (2)
    • ►  April (5)
    • ►  February (5)
    • ►  January (4)
  • ►  2013 (79)
    • ►  December (7)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (9)
    • ►  July (4)
    • ►  June (9)
    • ►  May (4)
    • ►  April (6)
    • ►  March (5)
    • ►  February (3)
    • ►  January (19)
  • ►  2012 (72)
    • ►  December (3)
    • ►  November (5)
    • ►  October (6)
    • ►  September (1)
    • ►  August (13)
    • ►  July (3)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (3)
    • ►  February (2)
    • ►  January (31)
  • ►  2011 (77)
    • ►  December (5)
    • ►  November (6)
    • ►  October (6)
    • ►  September (17)
    • ►  August (11)
    • ►  July (7)
    • ►  June (4)
    • ►  May (7)
    • ►  April (7)
    • ►  March (5)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (50)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (1)
    • ►  August (1)
    • ►  July (3)
    • ►  June (2)
    • ►  May (4)
    • ►  April (5)
    • ►  March (7)
    • ►  February (4)
    • ►  January (11)
  • ▼  2009 (202)
    • ►  December (12)
    • ►  November (8)
    • ►  October (12)
    • ►  September (12)
    • ►  August (19)
    • ▼  July (12)
      • Day 10: El Matador Beach
      • More on How Indie Filmmakers Pay Their Bills
      • Day 8 & 9 of Take Me Home: All Actors on Set!
      • Day 7 of Take Me Home: Auto Shop in Burbank
      • Day 6 of Take Me Home: LaGuardia Airport in LA and...
      • Days 4 & 5 of Take Me Home: The Joys of Filming in...
      • Day 3 of Take Me Home: Calm before the storm
      • Day 1 & 2 on Take Me Home: Hot!
      • 1st AC anyone? Bueller?
      • Casting Deals
      • Happy Independence Weekend!
      • A Producer's Work and Relaxation
    • ►  June (15)
    • ►  May (35)
    • ►  April (15)
    • ►  March (21)
    • ►  February (21)
    • ►  January (20)
Powered by Blogger.

About Me

clark
View my complete profile