all about indie film making

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Friday, 12 August 2011

A Decade of LA Filmmaking - Happy Anniversary to Me!

Posted on 14:01 by clark
I was sitting at my desk looking at the calendar trying to decide if I should be writing or working on the never-ending tasks of selling three movies at the moment when I realized: it has been ten years since I bought my airline ticket to move from New York City to Los Angeles to focus on being a creative producer. And what a decade it has been!

I made the decision to move to LA after working in the NYC film industry for a couple of years. I loved New York - I still do. I visit as much as I can. But I found myself on the path to line producing in New York and I really wanted to be a creative producer.

Line producing is an awesome and lucrative career and usually a steadier career than creative producing. But it never really inspired me like creative producing has. I love storytelling and the process of finding writers and directors and helping them to tell their stories. Development is a joyful period, full of hopeful expectation and dreams. As a line producer, I would be hired after development and I didn't want to miss out on developing stories.

So I packed my bags and my husband and two cats and we headed West. Sure I could have stayed in New York and tried to be a creative producer there. But it seemed like most of the bigger movies started in LA and that there were more financial avenues to explore in Hollywood. And I am a big proponent of trying all aspects of the industry. I had no studio experience and I really wanted to try it.

That's where my mentor Akiva Goldsman came in. I will be forever grateful and indebted to his kindness and support. In NY, I had worked on A Beautiful Mind and assisted Akiva almost daily. After I moved to LA and desperately needed a job, he hired me into his company Weed Road Pictures. His company is on the Warner Bros. lot and for three years, he showed me how to be a Hollywood producer and how to juggle the demands of the business. I consider him one of the most influential people to my career.

From there, I started my own production company and have been producing films ever since. This past decade has really been a learning process and laying the foundation for my producing career. There have been so many ups and downs, I can't keep count.

Overall, this decade has been awesome and I feel blessed to have known and worked with some of the most amazing filmmakers in the world. And all because I decided I wanted to be a producer. No one handed me this career. I went out and just did it and I continue to make it happen each day. And somehow I am making a living at it.

Long story short, if you want to be a producer then do it. Don't make excuses. Yes, you will scrape by, probably for years. You will juggle crap jobs and you will be beaten up by the strain of filmmaking. But if you truly love it, you have to do it. And before you know it, a decade will go by and you will be smack dab in the middle of your dream and making it happen too.
Email ThisBlogThis!Share to XShare to Facebook
Posted in Producing | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • The Road to Sundance: Spoonful, directed by Jenee LaMarque
    Tell us about your film. What inspired you to make it? My film is called spoonful and it's part of the U.S. Shorts Competition.  The fi...
  • Road to Sundance 2013: Black Metal (short), directed by Kat Candler
    Kat Candler Black Metal Production Still Black Metal Production Still Tell us about your film. What inspired you to make it? Black Met...
  • Road to Sundance 2013: Concussion, directed by Staci Passon
    The All About Indie Filmmaking Road to Sundance 2013 Feature begins with a Q&A with Director Staci Passon. Her film is titled Concussion...
  • The Importance of Giving in Order to Receive
    I wanted to talk about the importance of giving to your fellow filmmakers. There will be many times that your colleagues will come to you an...
  • The Road to Sundance: Juku, directed by Kiro Russo
    Tell us about your film. What inspired you to make it? Our film is titled JUKU. The Jukus are mine thieves, expert miners who choose to risk...
  • Road to Sundance 2014: 130919 • A Portrait of Marina Abramović (short), Directed by Matthu Placek
    Matthu Placek What made you decide to become a filmmaker? My background is still photography. I have always focused on portraiture in ...
  • Road to Sundance 2013: KARAOKE! (short), directed by Andrew Renzi
    Andrew Renzi KARAOKE! Production Still KARAOKE! Production Still Tell us about your film. The film I have playing at Sundance this year is a...
  • Women Filmmakers, Our Discussion
    We're having a great discussion over at Women and Hollywood today. The blog I wrote about women needing to make more movies and network...
  • Casting an Indie Film: Our Journey Casting Trevor Morgan, Rumer Willis and Robert Loggia in The Diary of Preston Plummer
    My recent film The Diary of Preston Plummer stars Trevor Morgan, Rumer Willis and Robert Loggia. Director Sean Ackerman and I pinch ourselv...
  • Movie Theaters' Struggle Mirrors Indie Film Struggle
    Just as indie filmmakers are struggling to survive, movie theaters are having a tough time too. Especially the theaters that can't affor...

Categories

  • 1150 Project
  • 130919
  • 2010
  • 2012 Producing Lab
  • 2013
  • A Portrait of Marina Abramovic
  • Actors
  • Alfred P. Sloan Grant 2012
  • Alix Lambert
  • All About Indie Filmmaking
  • American Cinematheque
  • AMPTP
  • Andrew Renzi
  • Andy Gates
  • Angelina Jolie
  • Ann Tierney
  • Ann Tierney Kelly
  • Art of Deception
  • articles
  • Artists
  • ASCAP
  • Ashland
  • Audience
  • Average Joe
  • Awards
  • Backstory Magazine
  • Before Midnight
  • Ben Lewis
  • Bill Pohlad
  • Black Metal
  • blogging
  • blogs
  • BlueCat
  • Bob Berney
  • book trailer
  • Books
  • Box Office
  • Brandon Trenz
  • Brian George
  • Brin Hill
  • Brothers
  • Budgeting
  • Business of Filmmaking
  • Cannes
  • Canon D5
  • Career in Film
  • Casting
  • Chain of Title
  • Chapel Perilous
  • Chick Flicks
  • Chris Brady
  • Chris Mars
  • Circles
  • Circumstance
  • Citizen Hearst
  • Competitions
  • Concussion
  • Contests
  • copyright
  • Credits
  • Crew
  • Crime: Marcus McGhee
  • crowdfunding
  • Dandekar Makes a Sandwich
  • Days with Dandekar
  • DDACS
  • Deliverables
  • Deliverables 2012
  • Development
  • Diary of Preston Plummer
  • Digital Distribution
  • Digital Downloads
  • Director
  • directors
  • Disney
  • Distribution
  • DIY
  • Do It Yourself
  • documentary
  • Drama
  • DSLR
  • Elizabeth Gilbert
  • Entertainment Advertising
  • Episode 1
  • EPK
  • Ethan Hawke
  • European Coproductions
  • fair use
  • Fake Eyelashes
  • Festivals
  • Fierce Friend
  • Film Deferrals
  • Film Family
  • film festivals
  • Film Independent
  • Filmmaker Magazine
  • Filmmaking
  • Filmmaking Stuff
  • Final Draft
  • Financing
  • Financing Producing Investing
  • FIND
  • Football Movies
  • Foreign Financing
  • foreign sales
  • Fox Atomic
  • Francis Ford Coppola
  • Frank Darabont
  • Fredrik Bond
  • Future
  • Gay Baby
  • George Lucas
  • Gigantic Releasing
  • Girl Rising
  • Google
  • Google and the World Brain
  • Google Docs
  • Gordon Firemark
  • Gotham Awards 2012
  • Grants
  • Greg Camalier
  • guest blog
  • GUN
  • Hair Bow
  • Hair Chalk
  • Happy Holidays
  • Hearst Castle
  • Hearst Documentary
  • Heat
  • Heath Ledger
  • Heidi Van Lier
  • Hi. It's Taryn.
  • Hiring
  • History
  • Hollywood
  • Hong Kong
  • Houston
  • Hulu
  • I Love My Annoying Spouse
  • ian agard
  • Ice Cream
  • ILM
  • Imaginarium
  • Imagineering
  • In Confidence
  • In Hanford
  • In the Land of Blood and Honey
  • In Your Eyes
  • Independent filmmaking
  • Independent Spirit Awards
  • Independent Spirit Awards 2013
  • IndieGoGo
  • IndieReign
  • IndieVest
  • Industry
  • Inglorious Basterds
  • International sales
  • Internet
  • Internships
  • Investing
  • Investors
  • Irish Folk Furniture
  • It's Me
  • It's Not You
  • Jane Kelly Kosek
  • Jason Brubaker
  • Jason Pickar
  • Jason Willis
  • Jeff Goldsmith
  • Jiseul
  • Job
  • John Hughes
  • Jonny Loquasto
  • Joseph Gordon-Levitt
  • Joss Whedon
  • Karaoke
  • Karin Chien
  • Kat Candler
  • Keystone XL
  • Kickstarter
  • Killer Films
  • Kristin Goodman
  • Krugovi
  • LAFF
  • laura ziskin
  • Learning
  • Leena Pendharkar
  • Leslie Morgan
  • Lincoln
  • LLC
  • location scouting
  • Locations
  • Mark Stolaroff
  • Marketing
  • Markets
  • Massify
  • Matthew Lessner
  • Matthu Placek
  • Merry Christmas
  • Miami International Film Festival
  • Michael Moore
  • Michael Tyburski
  • Mini-Series
  • Mommyhood
  • Mon Rok
  • Movie Theaters
  • Muscle Shoals
  • Music
  • Music Licensing
  • My Sense of Modesty
  • Natasha Richardson
  • Nathan Ives
  • Negotiating
  • Netflix
  • Networking
  • New York
  • New York Film Academy
  • New Yorker
  • News
  • No Budget Film School
  • Not Since You
  • novella
  • O Muel
  • Olympic Conquest
  • On Location
  • Online
  • Options
  • Oscars
  • Overly Attached Andy
  • Packaging
  • Palimpsest
  • Partnerships
  • Perfect Boyfriend
  • Peter Broderick
  • Photo
  • Picturehouse
  • Pilot Episode
  • Pipe Dreams
  • Pitching Tents
  • Plain Clothes
  • Polish Bros
  • Post Production
  • Poster
  • Premieres
  • Press Break
  • Producer
  • Producer Reps
  • producers
  • Producing
  • Production
  • Publicity
  • Quality Control
  • Quentin Tarantino
  • Quickbooks
  • Relationships
  • Retirement
  • Review
  • Richard Robbins
  • Road to Slamdance
  • Road to Sundance
  • Road to Sundance 2013
  • Road to Sundance 2013: Catnip: Egress to Oblivion?
  • Road to Sundance 2014
  • Robert Loggia
  • romantic script
  • Rumer Willis
  • SAG
  • SAG Production Producing Actors
  • Salaries
  • Salary
  • Sales
  • Sam Chou
  • Sam Cohn
  • Sam Jaeger
  • San Luis Obispo Film Festival
  • Sarah Jones
  • Save Indie Film
  • Scott Macaulay
  • Screenplay Competition
  • Screenwriting
  • Script consultation
  • Seattle International Film Festival
  • Sebastien Bailly
  • Self-Distribution
  • Seminars
  • Sequins
  • Shanghai
  • short
  • shorts
  • Sloan
  • Snobby Robot
  • So Natural TV
  • Social Media
  • Sound
  • Spencer Gillis
  • Srdan Golubovic
  • Steps
  • Steven Spielberg
  • Storytelling
  • Streaming
  • Strike
  • Sundance
  • Sundance 2012
  • Sundance 2013
  • Sundance 2014
  • Sundance Labs 2013
  • Sunny Mabrey
  • Super U
  • SXSW
  • Take Me Home
  • Taryn Horacek
  • Taryn Show
  • Taxes
  • Team
  • teaser
  • teasers
  • Ted Hope
  • Teen Queens
  • Telluride
  • Telluride 2013
  • tennessee
  • Terry Gilliam
  • Tetro
  • Thanksgiving
  • The Big Wedding
  • The Diary of Preston Plummer
  • The Film Collaborative
  • The Machine Which Makes Everything Disappear
  • The Necessary Death of Charlie Countryman
  • The Purge
  • The Virgin
  • The Walking Dead
  • Theaters
  • Theatrical
  • Tim and Susan Have Matching Handguns
  • Tinatin Gurchiani
  • Titles
  • Tony Donoghue
  • Trailer
  • Trailers
  • Trevor Morgan
  • Tribeca
  • Tributes
  • Twitter
  • ultra low budget filmmaking
  • Under One Roof
  • USC
  • Valentine Schmalentine
  • Vimeo
  • vlogging
  • VOD
  • Warner Bros. Digital Distribution
  • Web Series
  • Web site
  • WGA West
  • Will Estes
  • WIP
  • Wish I Was Here
  • Women and Film
  • Writing
  • YouTube
  • YouTube/Play
  • Zach Braff

Blog Archive

  • ►  2014 (19)
    • ►  July (2)
    • ►  June (1)
    • ►  May (2)
    • ►  April (5)
    • ►  February (5)
    • ►  January (4)
  • ►  2013 (79)
    • ►  December (7)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (9)
    • ►  July (4)
    • ►  June (9)
    • ►  May (4)
    • ►  April (6)
    • ►  March (5)
    • ►  February (3)
    • ►  January (19)
  • ►  2012 (72)
    • ►  December (3)
    • ►  November (5)
    • ►  October (6)
    • ►  September (1)
    • ►  August (13)
    • ►  July (3)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (3)
    • ►  February (2)
    • ►  January (31)
  • ▼  2011 (77)
    • ►  December (5)
    • ►  November (6)
    • ►  October (6)
    • ►  September (17)
    • ▼  August (11)
      • Daryl Hannah Narrates Our Film on Keystone XL
      • Karin Chien on Producing the New Indie Film Circum...
      • The Funding Journey Behind Indie Hit Circumstance
      • Take Me Home Won First Prize Audience Choice Award...
      • What's Up with The Grill Conference?
      • A Decade of LA Filmmaking - Happy Anniversary to Me!
      • No Budget Film School Seminar Coming Up
      • The Pass You Do Want in Film: Quality Control
      • The Hum Drum of Film Producing
      • New Logo!
      • Posters for The Diary of Preston Plummer
    • ►  July (7)
    • ►  June (4)
    • ►  May (7)
    • ►  April (7)
    • ►  March (5)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (50)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (1)
    • ►  August (1)
    • ►  July (3)
    • ►  June (2)
    • ►  May (4)
    • ►  April (5)
    • ►  March (7)
    • ►  February (4)
    • ►  January (11)
  • ►  2009 (202)
    • ►  December (12)
    • ►  November (8)
    • ►  October (12)
    • ►  September (12)
    • ►  August (19)
    • ►  July (12)
    • ►  June (15)
    • ►  May (35)
    • ►  April (15)
    • ►  March (21)
    • ►  February (21)
    • ►  January (20)
Powered by Blogger.

About Me

clark
View my complete profile