all about indie film making

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Wednesday, 30 January 2013

Road to Sundance 2013: GUN, directed by Spencer Gillis

Posted on 10:52 by clark
Spencer Gillis


Poster
GUN Production Still















Tell us about your film. 
The film is called GUN and was part of the shorts competition at Sundance (Shorts Program 4).  It is a character study about a young father named Roy who buys a handgun to protect his home and family after they experience a terrifying break-in. The newfound sense of power that Roy feels when carrying the gun becomes an obsession that leads him down a path that may have serious consequences.

What inspired you to make it?
Two things inspired GUN.  First, I grew up in the small town in Kansas where my mother was a police officer.  She used to take me with her to the pistol range to watch her practice shooting.  Eventually I learned to shoot, and I've always been impressed with the sense of empowerment and responsibility that comes with handling a handgun. The second thing was my own personal experience one night when I thought someone was breaking into my suburban home. My pregnant wife was asleep next to me and my primal instinct to protect kicked in. Thankfully it was a false alarm, but it got me thinking about what I would do if someone was breaking in. Those two ideas collided, creating the concept for GUN.

What do you love about your film?
I love that it doesn't push a political agenda. Instead, it challenges the audience to re-examine the way they look at the issues surrounding gun ownership.  In fact, the film isn't really about guns - it's about the influence of power on the human mind.  

How long did it take you to make your film?
We shot the film over three days about 14 months ago.  Our entire post-production process took about a year because we all had full time jobs and personal responsibilities that made the editing, coloring, sound design, and mix a slow process.  But we got it done in time for Sundance - so it was a happy ending.

How did you finance your film?
I used my own personal savings to shoot the film, then we raised about nine-thousand dollars on Kickstarter to cover the post production, festival run, and publicity costs.

What was the most challenging part of the filmmaking process and how did you overcome it?
Overall, the shoot went very well. The most challenging part of the process was post production - finding the time and the resources to get it done was a struggle. The editors and myself have day jobs, and we asked a lot of favors.  We are extremely grateful for the favors we were able to get, but part of the deal with favors is that you are subject to when facilities are available if you want a discount.
 
Tell us about your experience getting into Sundance. 
When I got the call I thought it was a friend playing some kind of sick joke. I truly didn't believe it at first. Even after going to the festival and having the most amazing time of my life, I don't think the fact that my film was in Sundance has completely settled in. It’s something you work for your entire career, so it's a bit surreal when it happens.

If you had to make the film all over again, would you do anything different?
I wouldn't change a frame of the film, but there are always little things during the shooting or in post I could have done to be more efficient.  The entire process was an incredible learning experience that will make me better next time around.

What’s next for your film? Do you have distribution? If so, when and how can people see it and if not, what are your hopes for the film?
We plan to run the festival circuit for the next year to play the film in a theatrical setting as much as possible.  We've been approached by a few different online distribution channels, which we'll pursue after the festivals have run their course.

Can you provide any advice to other filmmakers who dream of getting their films made and into Sundance?
Tell a great story that you are passionate about and surround yourself with good people who are great at their jobs.  Be fearless and don't give up.  90% of getting a film made is perseverance. 

Watch the trailer for GUN here:


Email ThisBlogThis!Share to XShare to Facebook
Posted in GUN, Road to Sundance 2013, Spencer Gillis | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Negotiating Is a Producer's Life
    Negotiating is probably the number one task that I do as a producer. Day in, day out, I am negotiating talent and crew deals, investor and o...
  • The Road to Sundance: Juku, directed by Kiro Russo
    Tell us about your film. What inspired you to make it? Our film is titled JUKU. The Jukus are mine thieves, expert miners who choose to risk...
  • Jameson FIND Your Audience Award Now Accepting Submissions
    From Film Independent - Whiskey and Film - What a great combination! This press release says it all. Film Independent, the non-profit a...
  • It's Web Series Time! Overly Attached Andy and I Love My Annoying Spouse
    We are about half way through our release of our new Web series Overly Attached Andy . I hope you have been checking it out. You can watch t...
  • 2009 Sundance Winners
    And the drum roll please... Alfred P. Sloan Award Adam Special Jury Prize Tibet in Song World Cinema Documentary Big River Man World Cinema:...
  • Not Since You Tickets on Sale at Arclight Hollywood
    I am very excited that tickets are now on sale for Not Since You at Arclight Hollywood. I am hoping to sell out the screening. We'd love...
  • The Road to Sundance: The Return, directed by Blerta Zeqiri
    Tell us about your film. Our film is The Return (Kthimi) is part of the Shorts Competition and screens with Shorts Program II. It’s the fir...
  • Getting Creative with Your Indie Film Business Plan
    To build on my recent posting on negotiating, I am revising a business plan this morning for one of my Ultra-Low Budget projects and I thoug...
  • Happy Thanksgiving 2011!
    Happy Thanksgiving! My cup runneth over with love, thanks, and the joy of another year making movies. Each year, I pinch myself that I'm...
  • Producers and Directors Need to Remain Committed to Their Films Even After the Premiere Is Over
    As a producer, I love working with directors. I get caught up in their passion and joy for bringing stories to life. I marvel at a director...

Categories

  • 1150 Project
  • 130919
  • 2010
  • 2012 Producing Lab
  • 2013
  • A Portrait of Marina Abramovic
  • Actors
  • Alfred P. Sloan Grant 2012
  • Alix Lambert
  • All About Indie Filmmaking
  • American Cinematheque
  • AMPTP
  • Andrew Renzi
  • Andy Gates
  • Angelina Jolie
  • Ann Tierney
  • Ann Tierney Kelly
  • Art of Deception
  • articles
  • Artists
  • ASCAP
  • Ashland
  • Audience
  • Average Joe
  • Awards
  • Backstory Magazine
  • Before Midnight
  • Ben Lewis
  • Bill Pohlad
  • Black Metal
  • blogging
  • blogs
  • BlueCat
  • Bob Berney
  • book trailer
  • Books
  • Box Office
  • Brandon Trenz
  • Brian George
  • Brin Hill
  • Brothers
  • Budgeting
  • Business of Filmmaking
  • Cannes
  • Canon D5
  • Career in Film
  • Casting
  • Chain of Title
  • Chapel Perilous
  • Chick Flicks
  • Chris Brady
  • Chris Mars
  • Circles
  • Circumstance
  • Citizen Hearst
  • Competitions
  • Concussion
  • Contests
  • copyright
  • Credits
  • Crew
  • Crime: Marcus McGhee
  • crowdfunding
  • Dandekar Makes a Sandwich
  • Days with Dandekar
  • DDACS
  • Deliverables
  • Deliverables 2012
  • Development
  • Diary of Preston Plummer
  • Digital Distribution
  • Digital Downloads
  • Director
  • directors
  • Disney
  • Distribution
  • DIY
  • Do It Yourself
  • documentary
  • Drama
  • DSLR
  • Elizabeth Gilbert
  • Entertainment Advertising
  • Episode 1
  • EPK
  • Ethan Hawke
  • European Coproductions
  • fair use
  • Fake Eyelashes
  • Festivals
  • Fierce Friend
  • Film Deferrals
  • Film Family
  • film festivals
  • Film Independent
  • Filmmaker Magazine
  • Filmmaking
  • Filmmaking Stuff
  • Final Draft
  • Financing
  • Financing Producing Investing
  • FIND
  • Football Movies
  • Foreign Financing
  • foreign sales
  • Fox Atomic
  • Francis Ford Coppola
  • Frank Darabont
  • Fredrik Bond
  • Future
  • Gay Baby
  • George Lucas
  • Gigantic Releasing
  • Girl Rising
  • Google
  • Google and the World Brain
  • Google Docs
  • Gordon Firemark
  • Gotham Awards 2012
  • Grants
  • Greg Camalier
  • guest blog
  • GUN
  • Hair Bow
  • Hair Chalk
  • Happy Holidays
  • Hearst Castle
  • Hearst Documentary
  • Heat
  • Heath Ledger
  • Heidi Van Lier
  • Hi. It's Taryn.
  • Hiring
  • History
  • Hollywood
  • Hong Kong
  • Houston
  • Hulu
  • I Love My Annoying Spouse
  • ian agard
  • Ice Cream
  • ILM
  • Imaginarium
  • Imagineering
  • In Confidence
  • In Hanford
  • In the Land of Blood and Honey
  • In Your Eyes
  • Independent filmmaking
  • Independent Spirit Awards
  • Independent Spirit Awards 2013
  • IndieGoGo
  • IndieReign
  • IndieVest
  • Industry
  • Inglorious Basterds
  • International sales
  • Internet
  • Internships
  • Investing
  • Investors
  • Irish Folk Furniture
  • It's Me
  • It's Not You
  • Jane Kelly Kosek
  • Jason Brubaker
  • Jason Pickar
  • Jason Willis
  • Jeff Goldsmith
  • Jiseul
  • Job
  • John Hughes
  • Jonny Loquasto
  • Joseph Gordon-Levitt
  • Joss Whedon
  • Karaoke
  • Karin Chien
  • Kat Candler
  • Keystone XL
  • Kickstarter
  • Killer Films
  • Kristin Goodman
  • Krugovi
  • LAFF
  • laura ziskin
  • Learning
  • Leena Pendharkar
  • Leslie Morgan
  • Lincoln
  • LLC
  • location scouting
  • Locations
  • Mark Stolaroff
  • Marketing
  • Markets
  • Massify
  • Matthew Lessner
  • Matthu Placek
  • Merry Christmas
  • Miami International Film Festival
  • Michael Moore
  • Michael Tyburski
  • Mini-Series
  • Mommyhood
  • Mon Rok
  • Movie Theaters
  • Muscle Shoals
  • Music
  • Music Licensing
  • My Sense of Modesty
  • Natasha Richardson
  • Nathan Ives
  • Negotiating
  • Netflix
  • Networking
  • New York
  • New York Film Academy
  • New Yorker
  • News
  • No Budget Film School
  • Not Since You
  • novella
  • O Muel
  • Olympic Conquest
  • On Location
  • Online
  • Options
  • Oscars
  • Overly Attached Andy
  • Packaging
  • Palimpsest
  • Partnerships
  • Perfect Boyfriend
  • Peter Broderick
  • Photo
  • Picturehouse
  • Pilot Episode
  • Pipe Dreams
  • Pitching Tents
  • Plain Clothes
  • Polish Bros
  • Post Production
  • Poster
  • Premieres
  • Press Break
  • Producer
  • Producer Reps
  • producers
  • Producing
  • Production
  • Publicity
  • Quality Control
  • Quentin Tarantino
  • Quickbooks
  • Relationships
  • Retirement
  • Review
  • Richard Robbins
  • Road to Slamdance
  • Road to Sundance
  • Road to Sundance 2013
  • Road to Sundance 2013: Catnip: Egress to Oblivion?
  • Road to Sundance 2014
  • Robert Loggia
  • romantic script
  • Rumer Willis
  • SAG
  • SAG Production Producing Actors
  • Salaries
  • Salary
  • Sales
  • Sam Chou
  • Sam Cohn
  • Sam Jaeger
  • San Luis Obispo Film Festival
  • Sarah Jones
  • Save Indie Film
  • Scott Macaulay
  • Screenplay Competition
  • Screenwriting
  • Script consultation
  • Seattle International Film Festival
  • Sebastien Bailly
  • Self-Distribution
  • Seminars
  • Sequins
  • Shanghai
  • short
  • shorts
  • Sloan
  • Snobby Robot
  • So Natural TV
  • Social Media
  • Sound
  • Spencer Gillis
  • Srdan Golubovic
  • Steps
  • Steven Spielberg
  • Storytelling
  • Streaming
  • Strike
  • Sundance
  • Sundance 2012
  • Sundance 2013
  • Sundance 2014
  • Sundance Labs 2013
  • Sunny Mabrey
  • Super U
  • SXSW
  • Take Me Home
  • Taryn Horacek
  • Taryn Show
  • Taxes
  • Team
  • teaser
  • teasers
  • Ted Hope
  • Teen Queens
  • Telluride
  • Telluride 2013
  • tennessee
  • Terry Gilliam
  • Tetro
  • Thanksgiving
  • The Big Wedding
  • The Diary of Preston Plummer
  • The Film Collaborative
  • The Machine Which Makes Everything Disappear
  • The Necessary Death of Charlie Countryman
  • The Purge
  • The Virgin
  • The Walking Dead
  • Theaters
  • Theatrical
  • Tim and Susan Have Matching Handguns
  • Tinatin Gurchiani
  • Titles
  • Tony Donoghue
  • Trailer
  • Trailers
  • Trevor Morgan
  • Tribeca
  • Tributes
  • Twitter
  • ultra low budget filmmaking
  • Under One Roof
  • USC
  • Valentine Schmalentine
  • Vimeo
  • vlogging
  • VOD
  • Warner Bros. Digital Distribution
  • Web Series
  • Web site
  • WGA West
  • Will Estes
  • WIP
  • Wish I Was Here
  • Women and Film
  • Writing
  • YouTube
  • YouTube/Play
  • Zach Braff

Blog Archive

  • ►  2014 (19)
    • ►  July (2)
    • ►  June (1)
    • ►  May (2)
    • ►  April (5)
    • ►  February (5)
    • ►  January (4)
  • ▼  2013 (79)
    • ►  December (7)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (9)
    • ►  July (4)
    • ►  June (9)
    • ►  May (4)
    • ►  April (6)
    • ►  March (5)
    • ►  February (3)
    • ▼  January (19)
      • Road to Sundance 2013: GUN, directed by Spencer Gi...
      • My New Short Film with Sam Jaeger: Plain Clothes
      • Road to Sundance 2013: Circles (Krugovi), directed...
      • Road to Sundance 2013: Google and the World Brain,...
      • Road to Sundance 2013: "In Hanford' (short), direc...
      • Road to Sundance 2013: Jiseul, directed by O Muel
      • Road to Sundance 2013: Palimpsest (short), directe...
      • Road to Sundance 2013: Catnip: Egress to Oblivion?...
      • Road to Sundance 2013: Irish Folk Furniture (short...
      • Road to Sundance 2013: Girl Rising, directed by Ri...
      • Road to Sundance 2013: The Machine Which Makes Eve...
      • Road to Sundance 2013: The Necessary Death of Char...
      • Road to Sundance 2013: Black Metal (short), direct...
      • Road to Sundance 2013: Muscle Shoals, directed by ...
      • Road to Sundance 2013: HOUSTON, directed by Bastia...
      • Indie Film Press Break: Melanie Fiona, Andrew Bird...
      • Road to Sundance 2013: Concussion, directed by Sta...
      • Indie Film Press Break: JOSEPH GORDON-LEVITT TO HO...
      • Using Google Docs to Co-Write Your Screenplay
  • ►  2012 (72)
    • ►  December (3)
    • ►  November (5)
    • ►  October (6)
    • ►  September (1)
    • ►  August (13)
    • ►  July (3)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (3)
    • ►  February (2)
    • ►  January (31)
  • ►  2011 (77)
    • ►  December (5)
    • ►  November (6)
    • ►  October (6)
    • ►  September (17)
    • ►  August (11)
    • ►  July (7)
    • ►  June (4)
    • ►  May (7)
    • ►  April (7)
    • ►  March (5)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (50)
    • ►  December (2)
    • ►  November (5)
    • ►  October (5)
    • ►  September (1)
    • ►  August (1)
    • ►  July (3)
    • ►  June (2)
    • ►  May (4)
    • ►  April (5)
    • ►  March (7)
    • ►  February (4)
    • ►  January (11)
  • ►  2009 (202)
    • ►  December (12)
    • ►  November (8)
    • ►  October (12)
    • ►  September (12)
    • ►  August (19)
    • ►  July (12)
    • ►  June (15)
    • ►  May (35)
    • ►  April (15)
    • ►  March (21)
    • ►  February (21)
    • ►  January (20)
Powered by Blogger.

About Me

clark
View my complete profile